The other great innovation are things like Transparent or One Mississippi on Amazon, Master of None on Netflix, and those half-hours. It's a lot easier to watch a load of those because it's far more palatable to go, "You know, I'm just going to do one more of these."
I don't get tons of scripts to be looking at and deciding on in terms of feature films; the industry has changed. Fortunately, with television and streaming and original series online, there's this whole new thing that has opened up, which I think is fantastic.
I have been given permission to announce that I and others from 'All My Children' have been approached by the company Prospect Park, who bought 'AMC,' with the intention to move it online.
I created my own little online series, 'Love, Life & Music,' years ago, before reality TV got poppin'. I wanted my fans to see that I wasn't just here sitting on my hands. I'm out here every day, grinding and working.
With platforms like Netflix, things are evolving as they are making content-driven films and series.
After our successes on 'H+,' I'm thrilled to be returning to another digital endeavor with Bryan Singer, Jason Taylor, and the entire Bad Hat Harry team. We're excited to be building the foundations of our world with Rockzeline and Blackpills.
At last we've seen the first installment of Joss Whedon's new web series, 'Dr. Horrible's Sing-Along Blog,' and it's sweeter than we'd ever imagined.
You basically do have a TV show when you're making stuff online. You have an audience that you make stuff for regularly.
'Mandem On The Wall' is an online comedy series that I produce, write and act in along with three other people.
