Noise Making Quotes

You can only make a good noise on the guitar if you're committed. Little careful noise doesn't work. You have to be bold.

When they invented the mandolin, it was as if they were trying to come up with the least efficient means of extracting noise from a piece of wood.

When I was very young, I just loved the idea of tapping on stuff, so I was always making a lot of noise.

Break as few bones as possible and make as much noise as you can.

Actors are divas, and we all make too much noise and complain too much, so if you don't do that, it makes you rather exceptional, apparently.

For me, it's just more satisfying when you follow the rules rather than just make a bunch of sounds. The magic of just making noise in the studio goes away after a while.

I can make the best fart noises. I can make, like, 10 different sounds at different levels.

Metal, I love metal sounds. If I have a stick with me, I just drag it across a fence. And all fences make different sounds, just like people when they laugh.

I play a little bit of everything. I beat on the walls. I whistle. I scream. I go outside and scream because it sounds cool when it's recorded. I play drums on a chair. I snap, clap... just anything to build the track and make it feel like I want it to.

I just love making sounds. Anything that made a sound, as a kid I was just taken back by and would sit with it for ages and just try and make all different sounds on it.

When I was four, I think I just wanted to make noise. When I was about 10 years old I was given five CDs for my birthday: Pink Floyd's 'Dark side of the Moon,' the Sex Pistols, Prodigy, Jimi Hendrix, and I can't remember the fifth one, but really different kinds of music. That's when I started to grasp it and enjoy it, listening to it. Then I started being in bands at school.

When I was 20, I didn't give a damn about song construction. I just wanted to make as much noise and play as fast and as loud as possible.

I knew absolutely nothing about recording. I had this four-track recorder, and I'd plug my electric guitar right into it, which sounded real bad. I moved any fader that made a drastic change in sound. I thought that was cool - that it was communicating something. I didn't have the skills to do anything subtle. It was just like screaming.

I know how to make noise; I really do. I'm really good at it.

I can whistle with my fingers, especially if I have a whistle.

I found a way to connect with lots of instruments rather than just fixating on one of them. I just loved making noise on anything.

It is fun to smash guitars.

I really think one of the most extraordinary things in the world is the amount of noise a child can make.

You know, I'd forget words and start just singing noises.

That's really where my heart is, unfortunately - I'm less interested in songwriting and more into just making noise.

Nothing is as nice as plugging in your guitar and turning up the volume really loud, just seeing what kind of beautiful noise you can make with it.

So early in my life, I had learned that if you want something, you had better make some noise.

I'm making a lot of noise as I walk.

People love the electric rake. You just hit it or whatever you want to do. You can't play 'Swanee River' on it. You have to just make terrible noise. Occasionally, it will make a sound like a note.

She ignores me, so I cup my hands over my mouth and do something I haven’t done in years— barnyard sounds.