Natural Light Quotes

You shall have sometime your house so full of glass that we cannot tell where to come to be out of the sun or the cold.

But that a camel-merchant should stir up insurrection in his village; that in league with some miserable followers he persuades them that he talks with the angel Gabriel; that he boasts of having been carried to heaven, where he received in part this unintelligible book, each page of which makes common sense shudder; that, to pay homage to this book, he delivers his country to iron and flame; that he cuts the throats of fathers and kidnaps daughters; that he gives to the defeated the choice of his religion or death: this is assuredly nothing any man can excuse, at least if he was not born a Turk, or if superstition has not extinguished all natural light in him.

The history of architecture is the history of the struggle for light.

Architects in planning rooms today have forgotten their faith in natural light. Depending on the touch of a finger to a switch, they are satisfied with static light and forget the endlessly changing qualities of natural light, in which a room is a different room every second of the day.

I got my first professional job at Harvard, at the Loeb Drama Center, and I remember sitting on campus one day under a tree - I was doing 'Threepenny Opera.' I was reading a book, and the light caught me, and I thought, 'I want to be in the movies.'

We want our buildings to work like a machine that will create a pleasurable environment.

I have always loved a window, especially an open one.

The light in the world comes principally from two sources,-the sun, and the student's lamp.

A ceiling fixture that places a floating assembly of large pebbles below a simple modern aluminum disc. These in turn reflect each other, bouncing light between their taught bio-morphic surfaces and reflecting the environment around them. During the day, the piece acts as a sculptural object reflecting the dynamics of natural light and movement of people around them.

Sculpture is an art of the open air. Daylight, sunlight, is necessary to it, and for me, its best setting and complement is nature.

The majority of my work is from life. I spend most fine days from May to October painting outside.

Finally here is a beautiful day, a superb sun like at Giverny. So I worked without stopping, for the tide at this moment is just as I need it for several motifs. This has bucked me up a bit.

The light constantly changes, and that alters the atmosphere and beauty of things every minute.

Although I have two good Anglepoise lights, I much prefer to work by daylight.

I have never had a studio, and I do not understand shutting oneself up in a room. To draw, yes; to paint, no.

Once all the power goes out, there will still be human beings standing together around a campfire, playing acoustic guitars.

The symptoms or the sufferings generally considered to be inevitable and incident to the disease are very often not symptoms of the disease at all, but of something quite different-of the want of fresh air, or of light, or of warmth, or of quiet, or of cleanliness, or of punctuality and care in the administration of diet, of each or of all of these.

Yes, I have a small coffee corner where I like to sit. It's right next to the windows and the power seat of the living area. When I sit there, I can see Bandra Reclamation in front of me.

And I should mention the light which falls through the big windows this time of day italicizing everything it touches.

The light of common sense is fundamentally the same light as that of science, that is to say, the natural light of the intellect. But in common sense this light does not return upon itself by critical reflection, and is not perfected by what we shall learn to know as a scientific habit.

I've always felt there are two things a woman should never do after the age of thirty-five: stand in natural light and have a baby.

Indoor pools just don't seem as inviting to me.

Available light is any damn light that is available!

I live on the ground floor, so I have these lacy curtains during the day and then as soon as it gets dark, I'm like, 'Blackout blinds! Shutters!' I like being more private.

Every single discussion I have with a first AD, or producers, is time of day. I can't begin to tell you how many times I've fought for early-morning calls. The light is 90 percent of our job; we as humans respond to light and where it is at different times of day and not only in positive ways.