Or like in the early 70's when we had the reaction against acid rock and all the fuzz tone, and feedback, and the noise. And you had James Taylor and everyone went acoustic and that.
There is a long and interesting tradition of really marginal left-field music that becomes commercially successful. And I will, for a brief minute, fit into that tradition.
I'd say that 98 percent of the bands we've played with through the years have either broken up or are stuck in some kind of '80s revival now.
All my albums always go with the times.
Then, when the Depression came, all of this changed completely. Since that time, the entire public is of a very different sort and there was not so much support for contemporary music in a direct way.
I think it's because Toronto is the Gothenburg of Canada, with the trends and the music and everything. I feel very at home when I'm there. Everyone has always been so kind to me.
This is just the way it goes: there's always a cycle with music - it goes up and it goes down, it goes risque and it goes back, it goes loud then it goes soft, then it goes rock and it goes pop.
Even though I loved the Fifties doo-wop, you couldn't hold on to it. You had to change, or you was gon' be antique real quick, like the Ink Spots. And then we were at Motown and you had the Rolling Stones, simple rock & roll became the new thing.
Music is always gonna change; it's just a matter of keeping up with the times.
The stores and the things like that, the business side of things came out at the point when, I'd say probably in the early '70s, it looked like the year of the singer-songwriter was over, 'cause music changed in our time and the spotlight was out.
I started a big band when grunge was popular. I mean, that didn't make much sense.
But a lot of the old fans are listening to a lot of the younger music. So I gotta keep moving forward, and they'll move forward too.
So many young kids are fickle when it comes to music. There comes a time when you're not cool again.
I remember Mitch Miller saying every week, This rock and roll stuff will never last. But one doesn't like to bring that up to Mitch.
I think a lot of pop music is escapist.
I've created several musical trends, really. That's not because I'm so far out and fabulous. It's because most bands have no ideas of their own. They're so desperate they'll grab at any old straw.
In the '90s, it was cool to just like R&B. But I liked Nirvana and stuff, too.
When young people hear auto-tune, they think that's real R&B. You have to get rid of all of the gimmicks.
Every decade has its ABBA; that's the proof that pop will always be around.
Music is so transient. You've just got to move with it.
I don't know if One Direction will stand the test of time. I have a niece who goes crazy for them. But the only way to judge art is to wait and see if it becomes evergreen. This takes a bit of time. Adele is a very good musician and I'd like to sing with her. But, again, time will tell if her music will become evergreen.
Pop changes week to week, month to month. But great music is like literature.
Every once in a while, we have some sort of movement in music that everyone suddenly wants to work in, like grunge or rap or disco or some other musical phase, and then suddenly, that'll be the thing to do.
I'm such a strong believer in making yourself happy. Almost in a selfish way. There are a lot of trends, and obviously you can get swept up into them. But I feel like if you just write songs you love, it can have trap beats in it or whatever's going on in the moment, but you don't stop loving songs.
Hard rock will always be hard rock, but you don't really know what is rock - and what isn't - anymore. I don't consider a lot of the pop things I hear on the radio to be rock n' roll. It's just kind of fragmented.
