Artistic Consistency Quotes

The only thing I can say is consistent in all my paintings is vivid color.

Sharing the same vision for what's on the page is always a good idea. The director's job is to establish what that is and make sure that everyone sticks to it when it comes down to actually executing it. Establishing what the vision is and being able to stick to it is the job, and everyone should be on the same page going in.

I think I've always approached making albums pretty much the same way. I'm just looking for a mixture of songs and topics that aren't the same thing over and over.

I think people like listening to what I call trippy music but maybe next year it will be something else. I still have gangster tracks and real-life stories and situations in my music. I’ve been blessed because over 20 year, I never stopped doing what I was doing. It’s pretty much the same thing and I’ve never really changed anything up.

All of my favourite albums have this incredible amount of conceptual glue to them, even if they are not telling a story.

I started off as a recording engineer and a beatmaker. I was this skater kid that would skateboard to auditions, and then I would use the money I'd make and buy a bunch of equipment and make a bunch of beats. I still am that kid, just with a little more money.

I think the sophomore curse happens when you change every bit of yourself. Though my hair is blonde now, sonically it's still the same girl; conceptually it's still the same girl.

Sometimes when you're looking at your own work, you can't really see, and it's only when you step back a little bit later that you think, 'Oh, that's completely in line with everything else I've done.'

Even on tour, where I perform songs from 'City Of Black And White,' I still do songs from 'Nothing Left To Lose.' I never turned my back on that material. On some albums, you change - that's all. The trick is to follow your heart and do what feels right.

As an actor, I think the experience and the portrayal of the character is exactly the same. It doesn't make any difference what camera is capturing it. You have to do it with the same passion.

I've got a vibe going on with a lot of what I've been doing, and to completely change it based off of me having a child might be a little confusing. I'm sure as my life goes forward, and she starts growing up, there will be a lot more things to include in my music. But, at this point, I'm just sticking to what I do.

I think the people who really love the way somebody sings, they like to hear it. As long as you don't change your style completely or do something that has nothing to do with what you're known for, which I don't agree with.

My aim is just to make good music every single time.

Sometimes all your fanbase wants you to do is stay within your envelope and do you because that's what they love you for.

I don't want to go too far away from what I'm doing now because that would alienate my audience.

I think that's given inspiration to other musicians. I know, particularly through the 90s, a lot of bands would cite Rush as an influence. I don't think it was so much our music, but more the way we really stuck to our guns.

The same person is coming through in a different medium.... My art is simple, direct and definite.

For better or worse, we have evolved for sure, but we've also maintained a certain core about who we are, which is we were raised on late '50s and early '60s rock n' roll and R&B, and you can always hear that throughout. And that's just always been who we were. As much as we've evolved, that's stayed the same.

The music industry has become so unpredictable. And I think people know that if someone has a Number One song, it doesn't necessarily mean that you'll have several ones after.

I never felt like I left, I think before anything I am a writer and that's something that I do almost everyday. So it wasnt I guess public,but I still would put out stuff on like MySpace or you know whatever social networks were poppin' at the time.

I find as an artist if I'm not expressed relatively consistently, I get really depressed.

A lot of people have said my movies are all the same. But I don't actually make an effort to have a style. I'm usually just thinking of what can we do to make it funnier or more interesting or just kind of refine it and it ends up like that.

I'm happy that my films were discovered by chance by foreign film festivals. That makes me realise more that there is a world outside Japan too. For me, it's an occasion to meet many people and to experience directly the response of international audiences to my films. But for me as a director, my attitude towards making films hasn't changed with the fame. I feel it's not good to change as a person anyway

To me, achieving tone, achieving consistency, is exactly the job of a director. It is to be the fusing, the nexus of a whole bunch of people contributing to the complex life of a movie. There are actors, there's a cinematographer, there're costume people, set people, there are all these things, and you somehow have to be the person in the middle of it who is making it all synchronize into the same magic bubble.

I think that, as a filmmaker, you're always making the same film, regardless of how many different stories you tell. This is the case for me, whether I'm making documentaries or fiction films.