Movie Scheduling Quotes

If you go to Sundance, the experience that I've had there as a viewer is... there's like a hundred movies there, and you've got to figure out what movies are sold out, what can you see. Sometimes you go to see movies that you don't know anything about because it just works into your schedule.

I think it's better to be involved in one or two movies a year.

In my past life, I started Moviefone. One of the reasons that I was drawn to do that was because it was just incredibly annoying to go see a movie when it should be the simplest thing in the world. I lived in New York, and it was really difficult to figure out the show times for a movie playing down the street.

I like alternating commercials with movies, because it keeps the pace up. You can't slack on a commercial. You need to go fast. That's a terrific piece of action, I think if that was scheduled for a movie, you'd put that in for two or three days worth of work.

If you think you're going to be up for an Oscar, you schedule your moviemaking.

One of the things is that you need to space out scary movies.

It's almost impossible to get a movie all together when there are two main cast members, let alone an ensemble cast with everyone's schedules. It's crazy if it works out.

If you're in a series, you can't quit, you can't work in the theatre and you can't do a movie when you like.

Festive seasons are good for releases, but we have to leave some festival dates for other producers to release their films as well. We cannot take away all the holiday releases.

We actually started shooting the 'Mockingjay' movies before 'Catching Fire' was released.

Televison is time bound. Whereas a movie has time. You can't write a script for television and keep it for one year.

Working on television is much more stressful than working for a movie. The pace of work is relaxed while shooting a movie.

In Bollywood, on an average, movies are made in six months or a year, but Puri completed 'Loafer' in two months.

I love the consistency of working on television. You don't get that in working on film.

I had gotten the role of Fandral in Thor, but scheduling conflicts (with Chuck) prevented that from going forward.

Each multiplex has screens allocated to each studio. The screens need filling. Studios have to create product to fill their screen, and the amount of good product is limited.