Where you thinke there is bacon, there is no Chimney.
And I love the twist. I love to fool you once, I love to fool you twice, and on the very last page, quite often - very last paragraph sometimes - I like to just play with your perception one more time in a way that makes everything that came before just a little bit different.
The actual Blue Rose murders, which lie at the core of the three novels, yield various incorrect solutions which assume the status of truth.
Correlation doesn’t imply causation, but it does waggle its eyebrows suggestively and gesture furtively while mouthing ‘look over there.’
Yes, you make mistakes in the old cases where you really think you know who the suspect is, and you probably do, and you make the mistake of relying on people.
It's so funny, I've done so many projects where I've been interrogated. I guest starred on almost every hour drama, and I'm always the guy they think is the bad guy but then they find out is not.
Appearances are not held to be a clue to the truth,' said his cousin. 'But we seem to have no other.
Delaying and withholding tactics, red herrings, partial and doubtful outcomes are stock in trade for fiction writers, especially crime writers.
I have an idea, and I have a perpetrator, and I write the book along those lines, and when I get to the last chapter, I change the perpetrator so that if I can deceive myself, I can deceive the reader.
With a thriller, you're going to have your red herrings, as different suspects are thrown up as possible culprits. You can only explore that for so long - if you do that more than a few times, it starts to get a little redundant.
Well you know, the big trick with 'Saw,' the sleight of hand that you have to pull off is that - spoiler alert - the bad guy, the antagonist, is right there in front of your face, literally.
Any great movie in the old days has a red herring. Hitchcock was so good at that.
Real evidence is usually vague and unsatisfactory. It has to be examined---sifted. But here the whole thing is cut and dried. No, my friend, this evidence has been very cleverly manufactured---so cleverly that it has defeated its own ends.
It may sound surprising, but a joke and a crime novel work in very much the same way. The comedian/writer leads their audience along the garden path. The audience know what's coming, or at least they think they do until they get hit from a direction they were not expecting.
Life is full of a thousand red herrings, and it takes the history of a civilisation to work out which are the red herrings and which aren't.
