Magazine Publication Quotes

I very much wanted to be editor of the 'New Statesman!' But I never wanted to be prime minister, except maybe as a little boy.

'The New Yorker's fiction podcast I like a lot, where they have authors pick short stories by other authors that appeared in 'The New Yorker.'

I usually work out around six times a week, but if I have the 'Swimsuit' issue, I'll work out seven times a week.

It's not good to put in a magazine what I weigh because it's too little. People freak out when they hear what I weigh. They think, 'Oh, you're too skinny.'

By serializing two novels in 'Analog,' the world's No. 1, best-selling science fiction magazine, I've had 200,000 words of fiction and three cover stories in that magazine. Quite an enviable record.

You should know that my most important contribution was always in tailoring; coats, jackets, wool dresses… so few of which went into the magazines.

I thought fashion was just the pretext to do images with lots of freedom and get them published in magazines. You could express your point of view, make statements about women and about what you believe in.

I had no plans to be an entrepreneur. I just wanted to be a journalist and write for a magazine. At 15, I just decided to leave school and launch a national student magazine.

Esquire, in a July, 1957 issue, has a photograph of me playing the French horn at the Five Spot.

Sometimes I had three or four stories in a single magazine without the editor knowing they were all by me.

I started in 1957 when I sold my first story to a magazine.

A story in Asimov's is read by hundreds of thousands of people.

Mike had called me and said he could offer me less, and I said, "You're on!" Because I was really excited with what Mike Kelly was doing, and now what Cullen Murphy is doing with Atlantic. It's a really cool magazine.

It was memorable the first time 'The New Yorker' bought a cartoon from me. I had been sending them batches for years every week, and they didn't respond to them.

I don't want to write a book; I don't want to go on T.V., because I stink at it. The only thing I have always been comfortable with is being in magazines.

I'm an unabashed fan of 'The New Yorker.' I do feel proud when I see my artwork in there.

My first company produced 'Silicon Alley Reporter' magazine, where I held the dual titles of CEO and Editor.

My neighborhood now is all 21-year-old European supermodels. I go to the international newsstand on the corner, and they're all looking for their pictures in 'Italian Vogue.'

Today, National Geographic has a membership side with a magazine and some television side, and they generate about a billion dollars in revenue, and they're profitable. And so at the end of the year they have some bottom line profit which they can then reinvest, because they're running it as a not-for-profit in charitable endeavors.

Then I started to do furniture and interiors for a friend and just to get stuff in a magazine, and then slowly started to build up and started to doing exhibitions.

I always wrote; my first story was published in the magazine The American Girl when I was 11.

I'm as excited as a kid with a new toy to be able to create a unique, exciting, urban superhero for a magazine that I respect as much as VIBE.

It's hard to say, I picked one of my favorite articles for the MAD vault. Which is one of the features of the Magazine so they don't have to actually pay artists or writers to come up with new stuff.

I have been so lucky to have the support of 'InStyle' magazine. My first big women's fashion story was for them.

My first published work was when I was 19, in 'Playgirl.' It was an odd experience but exciting.