Cable news is 24 hours long, so you have to fill it up with something.
I was known as a dogged, unflappable live reporter, the kind who runs barefoot to the camera, high heels in one hand, notebook in the other.
When I'm anchoring, I miss chasing stories in the field.
I never practice calls. Everything you hear is reactionary. The way I look at it is that broadcasters are just paid observers, just there to tell you what we see.
You can make an editorial comment about the play while it's going on. You don't have to be bogged down by the details because the camera is showing the groundball to short.
I always knew I wanted to be in front of the camera. But even after 10 years behind the scenes at CBS News producing live segments, celebrity profiles, and breaking news, I still hadn't been given the chance to be on TV.
It’s a public event. We [television] should be covering it.
Convicted terrorist Timothy McVeigh has requested the public televising of his execution.
Twenty-four hour news delivers people who stand and talk to camera rather than deliver reported packages with their own camera crew where it's happening.
In covering breaking news, there's no better way than using a helicopter.
Whether it's standing backstage with Jennifer Lopez in a dress that I know everyone will be talking about tomorrow... or being there when incredible news breaks, and instead where people sit in front of their TVs and look at it, I'm the person who goes there to bring you the story... It's amazing. It's unbelievable.
Honestly, anchoring the news on a nightly basis is the hardest job I've ever taken on.
Breaking news on live TV is a roller coaster.
As a comedian, I'm like one of those on-the-scene reporters. I will actually go and try to find disasters so I can write jokes as the disasters unfold.
TV journalism is a much more collaborative, horizontal business than print reporting. It has to be, because of the logistics. Anchors are wholly dependent on producers to do all the hustling.
I fell into TV quite by accident but once I was in a newsroom for the very first time, I was hooked because I loved the adrenaline. There was a breaking story that day and people were running around to get the news on the air. I thought, Jesus, how do you get to do this? So, that's how it started. The bulk of my career was in TV.
I've always loved reporting from the field most of all. There's something about doing live TV and being there as it happens that's always appealed to me. I think there's great value to bearing witness to these events as they're actually happening.
I like to cover news when it happens, not five years later.
The networks initiated the discussion of live coverage.
I might have been one of the first 'SportsCenter' anchors that complained that I wrote this great lead-in setting up a highlight, and that as I'm doing it, on camera, the final score is scrolling underneath my head.
I was the first reporter in the country to get a U.S. Senator on the air during the 9/11 attacks - I was broadcasting from the Hart Building.
When you find yourself on a pageant stage, there are a lot of unpredictable moments, and I think a lot of that translates to doing the live, breaking-news reporting that I do now.
So I just got on the phone and the engineer just patched me in and I did reports. I'd get a community leader and bring him to the phone, call up the station and do an interview over the phone with the guy.
I was a sportscaster right out of school. I used to do the nightly newscast and the nightly sportscast and I would write, produce, do live shots. Yeah, I loved it. That's how I cut my teeth in the business.