My parents only played Isley Brothers, Marvin Gaye. That's when New Kids came out, and we wanted to jam that. My mom was like, "Put that thing off and put my damn record on". So from old school to '90s to recent, it's just always been there.
The ukulele totally fits that whole hipster community or whatever you want to call it, but then at the same time it works great in nursing homes where senior citizens get together and play, and then as the traditional Hawaiian instrument with people doing the Hula and strumming the ukulele and singing.
I'd say we do reach somewhat of a younger audience, but I think for the most part that younger audience is picking our music up from a brother or sister or even parent, who is turning them onto the band.
I used to work in the cotton fields a lot when I was young. There were a lot of African Americans working out there. A lot of Mexicans - the blacks and the whites and the Mexicans, all out there singing, and it was like an opera in the cotton fields, and I can still hear it in the music that I write and play today.
Music doesn't really require whether the person's a young person or old person for whatever kind of music it is.
In Puerto Rico, I played in all kinds of bands that played salsa and merengue. That's how I saved the money to come to the U.S. We used to play El Gran Combo tunes. Half the band was my friends - we were around 15 - and the other half was my friend's father and his friends from the hospital where he worked. They were all, like, 50.
My dad and I played music. He teaches me a song or two every time I'm home.
One of my strongest memories is my father playing bongos in the living room in Detroit listening to Motown radio. He was this skinny white bald guy, but he was really moved by blues and Motown and funk.
It's interesting, as I said on the last tour in America, the audience actually came out, they had to have been the kind of fans who listened to my music via their parents, you know what I mean?
I'm becoming hip to my children because bands of their generation name us as influences, so you can definitely hear it, the same way as we were influenced by other people.
I was raised in a mostly white neighborhood. I was this little white girl jamming out to Ella Fitzgerald and Bobby Brown.
I would write songs, inspired by my baby, but then I could tell that my baby was also responding to the music. It was just kind of an amazing musical experience.
My father had lived in the States in the 1960s for a while and came to love American Songbook material. Even today, he sometimes recognizes singers that I never even heard of, which is beautiful and inspiring.
I want to share music that we grew up with for this generation, the music my parents shared with me.
My father's songs don't intimidate me; my father's songs are my songs. My songs are his songs. There's no intimidation.
Something that I think extends to a lot of African cultures is that the line between performer and audience is blurry. My mom would lead the wedding song regularly, and she isn't a professional singer. Even as an audience member, you're expected to clap and sing the response to the lead.
My mum is from Ghana, and she used to play highlife music in the house, and my dad used to listen to music.
A whole generation of young whites have involved themselves with traditional Negro music.
My mom is about 60 years old and she loves our music because she can bounce around to it.
There is always a musical exchange happening between me and my sons.
The music that was popular in your youth seems to be the music you recall most vividly - and most nostalgically - for the rest of your life. But so is the music that was popular in your parents' youth.
Every time I see a musician - it doesn't matter what age - that inspires me, there's always a secret little wish that maybe we'll play together, because that's how I learn and grow and so forth, you know. But hopefully there's a lot more.
A lot of the songs in 'See Jane Sing!' are pulled straight from the kitchen table and my parents harmonizing together.
I grew up listening to loads of afrobeats; my grandad's Sierra Leonean, so that was always around. My mum loves those kind of beats, too.
Right, different generations come along, and discover the music, I think.
