Interesting Story Quotes

I don't want to be pretentious about, "yes, I need to move in to the more dramatic roles and express myself and prove to everyone that I'm capable of doing it," it really isn't that, I think that's a bad reason to choose roles. It's more like, who would I be working with and would they be fun to do and entertaining to watch, is it an interesting story or character.

The only obligation to which in advance we may hold a novel, without incurring the accusation of being arbitrary, is that it be interesting.

To be interesting just tell your story with uncommon honesty.

It won't make for a quiet life but it will make for an interesting paper vastly more significant because it is doing something only a daily paper can do.

If the story's interesting and it's a compelling script, I'd be thrilled to be a part of it.

I would like to take up any kind of film that comes my way if I find the story interesting and challenging.

Even though writing articles relies completely on truth, you still must tell an interesting story. You can't worry about people knowing who you are and whether or not they want to read your stories.

I try to find stories that I would think that everyone would find interesting, and just a good entertaining story, and then if I can find a story that has a raison d'etre behind it that I feel is important then that's the best for me.

I've always thought the Nat Turner story to be very interesting.

My only criteria while selecting roles is that it should be a lead part in an interesting story where the character has depth and layers.

It's not easy to tell a story about writers and make that feel like a complete story and an interesting story.

I love not being in a comfortable state, anyway. That makes for much more interesting storylines and an interesting story.

I think every person and place is interesting, and there's an interesting story behind every door.

Definitely the script because you want to be part of an interesting story, you want your character to be a challenge, then comes the director. But essentially it's the script first and whether it's a character that you think you can do.

You kind of hope that the events themselves are interesting. I think that's what you have to hope for, that on a broad level it's an interesting story.

I follow only one rule in my writing, and that is to be interesting. If the story is interesting to you, the writer, then it will probably be interesting to somebody else.

Sometimes if you've got a story that's interesting enough, you don't need to pour sugar on ice cream. The ice cream is great.

For 'Prometheus,' I came back to a very simple question that haunted me that appears in the first 'Alien,' and no one answered in subsequent Alien films: who was the 'Space Jockey' - the big guy in the seat? If you really go into that, it becomes the basis for a pretty interesting story.

Those elements that make 'Catfish' so interesting to watch, elements of deception and mystery, make any movie or any piece of content exciting to watch. It makes characters complex and interesting.