New York, to me, is the arts capital of the world. I just feel so inspired when I'm there. I would love to live there at some point in my life and do a play.
There's a high school in Camden, New Jersey, I call the Jill Scott School. It's the Camden Creative Arts High School. Those teachers and kids are so passionate about what they do, and 98 percent of the senior class went on to college.
I love the London vibe. I get so much love from London that I never had from other places. It's crazy. The people there understand music so much more.
The best teaching I ever experienced was at Exeter. Yale was a distinct letdown afterward.
Any excuse to live in New York and do art. Has to be one of the most rewarding experiences in the world.
I just love New York, I love the people. The energy of the place. I really feel energized working here. I've always been made to feel very welcome, and it's a tremendous city.
Any room where you feel a good vibe is a good place to write.
That's just a much more enjoyable and motivating experience for me, when I can see people who are just as obsessed with the idea as I am.
As a city, Chicago really affords me an environment that I am really happy creating in. It's an easy place to live in a lot of ways; it's a great community to be making music in.
I feel that this is my artistic home, and I'm very happy to be a California artist together with many others who are not from here originally but who decided to make this the center of their activities. There's something about that that I find very inspiring and satisfying.
Chicago is a world-class city filled with amazing people with big ideas.
You've got to put interesting people around you; you've got to work with people who are gonna inspire you to take the songs you've written into a completely different direction, because there's nothing more boring than going to the studio and predictably knowing what is going to happen.
I live in the studio and I'm inspired.
New York seems to be absolutely filled with brilliant people.
I feel super lucky to be living in New York. I love the city, I love the energy. I always loved it. I had pictures of New York in my bedroom when I was young.
I'm so excited to be part of the environment that David Ellison, Dana Goldberg, and Marcy Ross have built at Skydance.
My first official teaching job was at GIT, which was fantastic because I wanted to pay the rent and I got to stay in the building, which is an inspiring place to be - the vibe was there. My first gig was doing private lessons. It went great. Then they decided to promote me to a classroom teacher. I taught a class called Single String Technique.
My presence in California will bring a new, inspiring culinary environment to life, and I'm delighted to share my creative techniques and evolving fresh ideas with the Beverly Hills community.
Just being with some of the best athletes in the world is a marvelous experience.
I like being surrounded by all the stuff that makes me feel creative and inspires me.
Minneapolis, in general, has been there with me since the beginning. They made me feel important before I really even had a foundation. I think a lot of it has to do with it's such an intense music city in its own right.
Lou Tyrrell has created a theatre that is a safe haven for playwrights, a birthing center for new American writing. Arts Garage has created a vital, enthusiastic audience for theatre, music, painting and sculpture in Delray Beach.
London is full of creative people - you can never say that it's not.
My parents made every effort to encourage me to pursue anything in life that I enjoyed or found appealing so that I would be able to better understand myself and my passions as I grew up.
Working on 'Parks' was like heaven because everyone there was just intimidatingly intelligent and funny, and we would have these hilarious debates about really tangential things. It was inspiring because I felt really challenged to be my best.
