I hate hearing from anyone ever saying, 'Oh, you only make clothes for models. That's so annoying,' because it just never, never is the case. Our top-selling size is probably a 12.
I will never win an Oscar, and do you know why? First of all, because I'm not Jewish. Secondly, I make too much money for all those old farts in the Academy.
I think there's a big misconception out there about actors and the choices they have.
I'm at a very frustrating point in my career because I'm not a millionaire. Like, people assume because you're in movies or TV, you're rich. I'm not rich, but I'm far from broke. I'm what you call a 'thousandaire.'
In the music industry, intelligence in women is undervalued.
I think I was told numerous times in the industry that nobody wants to watch a guy on a keyboard.
Just because I run an indie label doesn't mean I don't think Jay-Z is nice.
So many people, my friends and family, were all saying, "You're so funny. Why don't you become a comedian or an actor?" But it wasn't a reality at the time, it wasn't a road that Latin people were accepted in.
There will never be a job that I do in this industry where I don't have to talk about being a woman. I will always be a female artist. People will put that in front whether you like it or not.
If I'm not working, I really have nothing to do with it - I'm not hanging out and mixing with film people. Not that I have anything against film people; they're some of the best people around and some of the worst people around, just like in any business... they just gesticulate a little bit more.
We've done a couple of women's mags, but we tend to talk about feminism and women in the industry, which I feel more comfortable talking about. It's a more valuable discussion than, 'Oh, you're a girl in a band. What hair conditioner do you use?' I use hair conditioner, and I like talking about it. But I don't want that to be the question.
I have about as much control over how I look as the guy who's short and looks more like a character actor - we both have the same drive to be actors and we both have the same drive to assume these different characters, it's just harder for me to get the chance because they look at me and say, 'Oh, he's this type,' and they stamp me.
But Wall Street people are in fact very smart; they're funny, they're not company men who work their way up the chain.
In my general meetings, I certainly tell producers and executives that I'm interested in writing action films, but I think there's still a very specific set of writers they look at. And I don't think there's a lot of female writers on that list.
I hate when I get asked, 'What's it like to be a woman in comics?'
I want to prove that actors are good, not just at working in front of the camera.
Facts are, directors are not thinking of me; they think I only act in my films, because they're stupid. Or they think I'm a control freak, that I will try to, I don't know, pimp their scripts and just change everything, which I will never do.
A lot of being a woman in this business is about how you look... That's not why we're even in this business; that's not what people want from us. We're valuable because we're funny and because we have a voice and a point of view.
Directors are not worried about casting beautiful women, but they are not sure that they want to cast great-looking men. My looks have prevented people from seeing my work.
Just because I publish pornography does not mean that I am not concerned about the social ills that all of us are
Regular people laugh harder. Industry people are stuffy, very judgmental.
I had kind of an attitude, which was not uncommon in New York. Theater people who went to Hollywood to do sitcoms were selling out. That was the attitude. And I didn't really relish the idea of being cast in a sitcom, because I shared that attitude.
I'd say it's far more challenging to be female and be a showrunner. People are not surprised to see a black person running this show, but the female aspect is the thing that I get asked about.
The brewing industry is a very, very male dominated industry. It's a male bastion.
We're still at a point where women [directors] aren't allowed to be mad visionaries. We have to prove beyond a shadow of a doubt that we're responsible, that we can handle it, that we've got all our ducks in a row . . . most women who direct always come in on budget, always come in on schedule, and if they were wild and irresponsible it would not be put down to brilliance, but to a general flakiness.
