Chaos is merely order waiting to be deciphered
What we call chaos is just patterns we haven’t recognized. What we call random is just patterns we can't decipher.
If there is one thing in mathematics that fascinates me more than anything else (and doubtless always has), it is neither "number" nor "size", but always form. And among the thousand-and-one faces whereby form chooses to reveal itself to us, the one that fascinates me more than any other and continues to fascinate me, is the structure hidden in mathematical things.
One had to be a Newton to notice that the moon is falling, when everyone sees that it doesn't fall.
There might be a hidden structure in pi that we simply haven't discovered.
One of the pleasures of looking at the world through mathematical eyes is that you can see certain patterns that would otherwise be hidden.
My big thesis is that although the world looks messy and chaotic, if you translate it into the world of numbers and shapes, patterns emerge and you start to understand why things are the way they are.
The first steps in Agriculture, Astronomy, Zoology, (those first steps which the farmer, the hunter, and the sailor take,) teach that nature's dice are always loaded; that in her heaps and rubbish are concealed sure and useful results.
Providence conceals itself in the details of human affairs, but becomes unveiled in the generalities of history.
Among the thousand-and-one faces whereby form chooses to reveal itself to us, the one that fascinates me more than any other, and continues to fascinate me, is the structure hidden in mathematical things.
There is no coincidence. Only the illusion of coincidence.
The transition from cause to effect, from event to event, is often carried on by secret steps, which our foresight cannot divine, and our sagacity is unable to trace.
Politicians and public administrators have been aware of unintended consequences for a long time.
I consider myself Istanbul's storyteller. My subject matter is my town. I consider it my job to explore the hidden patterns of my city's clandestine corners, its shady, mysterious places, the things I love.
It turns out that an eerie type of chaos can lurk just behind a facade of order - and yet, deep inside the chaos lurks an even eerier type of order.
Nature does many things the way I do, but she hides them!
Traditions are the guideposts driven deep in our subconscious minds. The most powerful ones are those we can't even describe, aren't even aware of.
For historians, hindsight can be a treacherous ally. Enabling us to trace the hidden patterns of past events, it beguiles us with the mirage of inevitability, the assumption that different outcomes lay beyond the limits of the possible.
Chance is a kind of god, for it preserves many things which we do not observe.
There's a certain logic to systems, and that logic is fairly self-evident. It's very straightforward, usually. It might take a little research, it might take a little bit of industry to prize it out, but it's there to be seen.
The myriad past, it enters us and disappears. Except that within it, somewhere, like diamonds, exist the fragments that refuse to be consumed. Sifting through, if one dares, and collecting them, one discovers the true design.
The discoveries of science, the works of art are explorations - more, are explosions, of a hidden likeness. The discoverer or artist presents in them two aspects of nature and fuses them into one. This is the act of creation, in which an original thought is born, and it is the same act in original science and original art.
There are only patterns, patterns on top of patterns, patterns that affect other patterns. Patterns hidden by patterns. Patterns within patterns. If you watch close, history does nothing but repeat itself. What we call chaos is just patterns we haven't recognized. What we call random is just patterns we can't decipher. what we can't understand we call nonsense. What we can't read we call gibberish. There is no free will. There are no variables.
Life resembles Gobelin tapestry; you do not see the canvass on the right side; but when you turn it, the threads are visible.
Sometimes I am a collector of data, and only a collector, and am likely to be gross and miserly, piling up notes, pleased with merely numerically adding to my stores. Other times I have joys, when unexpectedly coming upon an outrageous story that may not be altogether a lie, or upon a macabre little thing that may make some reviewer of my more or less good works mad. But always there is present a feeling of unexplained relations of events that I note, and it is this far-away, haunting, or often taunting, awareness, or suspicion, that keeps me piling on.
My work is about the behaviors that we all engage in unconsciously on a collective level. And what I mean by that, it's the behaviors that we're in denial about and the ones that operate below the surface of our daily awareness. And as individuals, we all do these things, all the time, every day.