I'm a struggling guitar player.
You shouldn't even be in a band if you can't play Buddy Holly's Not Fade Away.
My dad had a guitar that he gave me. I went to Walmart and bought a chord chart and hung it up in my room, and I was just trying to figure out how to play the guitar and put words with what I was learning.
It's much better to play the guitar a half hour a day, every day, than not practice for a week and then jam for five hours one day.
I've never been much of a guitarist. I mean, I've played forever, but I was always more of a rhythm kind of guy. I don't read music.
My father had a friend who actually had a hollow-body bass guitar and didn't work through an amp, but because it was hollow body, I could play it. So I kind of played on that for about a year, learning scales and all that. And here I am.
In Nashville, good guitar players are a dime a dozen.
I think my best advice for young guitar players is that it's not an easy road - definitely not; female guitar player or male guitar player, it's not an easy road at all.
The guitar is my favorite and the one, I guess, I'm best at. But I play enough of the different instruments to be able to write with them and to, hopefully, to make myself look impressive on stage.
I think guitar-wise, Eric Clapton was a big influence on me. I got to spend time around him. He's kind of strange, mysterious, serious and he always has played such hot guitar.
In my own musical existence I don't feel that being a guitar player is like the best thing on earth to be. I would rather be a balanced musician. Playing in a group, I'm tending to think more about the music and less about the guitar. That's just me getting older. I'm not interested in being a virtuoso guitar player or anything like that.
I'm a crap guitarist and I find it really hard writing on my own.
If there's anybody who knew how to play in a studio, it was Duane Allman.
You need to have spent your time from playing Top 40 pop rock in order to know how to play a song like 'Ritual,' a song like 'Absolution' or 'Idolatrine.' You need to know your classic drumming and your classic guitar.
When I was a kid, I was interested in folk music. But rock represented power, and I became the best rock guitarist in my school.
You have to be very strong to play my music. The drummer has to be in great shape. Same with the guitarist. You have to be a monster to play with Chubby!
You've heard me call myself a bluesman and a blues singer. I call myself a blues singer, but you ain't never heard me call myself a blues guitar man. Well, that's because there's been so many can do it better'n I can, play the blues better'n me. I think a lot of them have told me things, taught me things.
When I think of a lot of the players I admire, they could always play their parts without hiding behind distortion and sustain. Put the time in. Hear your mistakes. Yeah, it sucks, it's humbling, it makes you want to throw the guitar out the window. But if you work on your mistakes, they'll eventually go away, and you'll become a strong player.
I knew I was a good singer - I've been singing my whole life, so I was comfortable enough with that - I felt like I could compensate with not being great on guitar.
Mention Hubert Sumlin, as well, because Hubert's a great man, and again, you know, I don't play the guitar very good, but when I'm playing this kind of music, I always have him in my mind. I wish I could play like Hubert.
And I had not much of a voice. I didn't play that great guitar either.
I wouldn't say that I'm the greatest guitarist ever. I'd say probably that I'm the greatest guitarist sitting in this chair.
I've been playing electric guitar since I was 11, and I love the blues.
Duane Allman was the best guitar player I ever heard who didn't read a note.
There are two types of session guitar players. One reads and only plays what the 'dots' say. The other adds that something special and plays notes and solos you dream of. Big Jim Sullivan was such a player.
