Groove Music Quotes

I'd say I am a nice cross of R&B and Pop.

Peanut Butter Wolf is my relaxing music, my lunch music, my chilling music.

Definitely practice in the mirror before you attempt it. You have to use your body in the upright position, you can use your knees for support and that's the only way you can twerk.

In the 70s, GEORGE CLINTON and PARLIAMENT FUNKADELIC and EARTH WIND & FIRE, we were very serious about our music and who we were trying to touch. I think that's why the music of the 70s has not died - because it has a rejuvenating quality to it.

Prince might be bringing that low sound back, because he has that double bass.

I listen to R&B and Hip Hop.

Nothing burns more calories than dancing in 5-inch heels... try it!

It's always been my dream to have a monster rhythm section that's just all groove and pocket.

Jive for me always gets me panting and burning the most.

Radio is being dominated by records that are 120 beats per minute. R&B is about groove and soul.

The most common music that you hear anywhere in the world now basically has its roots in that union that happened in the last century, or in the century before that. That kind of music that's groove or beat oriented just didn't exist in lots of cultures before that.

Having pop sensibilities from my past and also being a lead blues and sort of rock guitarist allowed me to bring that kind of beachy rock groove.

I love music - anything that catches my ears - but it's more about lots of rock 'n' roll and really funky electronic music.

Neo soul, hip-hop jazz, we started that.

I love songs that have a rocking and grooving feeling.

I like to combine the dramatic emotional warmth of strings with the grooves and body business of drums and bass.

A lot of people say 'Boo'd Up' reminds them of '90s R&B. It has that feeling, which is why I think people take to the song so much.

The first record I ever danced to in a grown-up disco was Donna Summer's 'A Love Trilogy'. I danced for the full 15 minutes and I thought to myself, 'This is it, this is what it's all about.'

I went to my first go-go when I was in, like, sixth grade.

I think I was annoyed going through the '90s just as a guy who loves music. There wasn't a lot of music for me. Everything was groove driven. We lost the plot with the melody. There's no more melody.

In the States, this type of jam-band phenomena has opened it up for groups to improvise, admittedly more in the groove area, as opposed to the straight-ahead jazz thing - which is good for me, as that's one part of where I'm at. It's been so great playing these gigs and seeing kids come out and the whole college scene.

Dance music is about having a good time, and a lot of dance music is very serious now. When progressive house and progressive tech came along, it was kind of serious, but it's all context as well.

I'd much prefer to hear somebody like Ed Thigpen [drummer with New York session group Stuff, and featured on innumerable hits] take a solo. I mean, that's what it is. I'd much rather hear that than the jazz/rock thing because it's blowing an aspect of jazz that I really like...the level where you can snap your fingers to it and you can groove to it. You can do anything to it.

I grew up with go-go music. We wasn't really hip-hop fans.

I had a band called Infectious Grooves back in the Nineties. That music was really a mixture of styles, and we had some stuff that was punk rock, ska, but then we had a lot of funk in there.