Frequency Manipulation Quotes

Producing is getting the performances, tracking it, making sure all the parts are there. Mixing is when you take the finished work, and you make sure all the levels are right. It's putting all the parts together.

There's something about a wah pedal that really gets my gut going! People will probably say, 'He's just hiding behind the wah.' But that isn't the case. It's just that those frequencies really bring out a lot of aggression in my approach.

A work of art must make the rules: rules do not make a work of art...I tell people I am not a musician; I work with rhythms, frequencies and intensities...tunes are merely the gossips of music.

All you have to know is mathematically how many times to scratch it and when to let it go - when certain things will enhance the record you're listening to.

What we call the 'world' and the 'universe' is only one frequency range in an infinite number sharing the same space. The interdimensional entities I write about are able to move between these frequencies or dimensions and manipulate our lives.

I try to listen to a lot of music when I'm in the mixing process of a record, when I'm in post-production and trying to get everything to sound a certain way.

I think anyone who knows the audio process knows what mixing and mastering is.

I've watched and learnt from DJs and remixers and paid way more attention to how I want my voice to sound. Before, as long as it was loud and in tune it was fine. I've discovered the difference made by various microphones and effects, so each track has a different vocal sound, my voice is woven into everything and it's above everything.

Sometimes you cannot produce a specific sound you want with, say, a guitar or piano, and you simply need to use electronic elements.