In my home country, there was a little shop with old books, but it was really in the countryside. You couldn't find English books. I found this very avant-garde American art book that had information about Georgia O'Keeffe. I was very much impressed by her.
I like reading... French, Russian classics - Gogol, Tolstoy, Dostoyevsky, Flaubert. I also like Hemingway, Virginia Woolf.
By the age of nine, I had a thorough knowledge of contemporary Polish literature as well as of foreign literature in Polish translation, and I began to write poems in honour of a lady of thirty years. Naturally, she knew nothing about them.
With some exceptions in science fiction and other genres I have small difficulty in avoiding anything that could be called American literature. I feel it is unnatural, not I think entirely because it uses a language that is not mine, however closely akin to my own.
I wish more Italian literature were translated and read in English. I've discovered so many extraordinary and diverse writers: Lalla Romano, Carlo Cassola. Beppe Fenoglio, Giorgio Manganelli, just to name a few.
Rarely do you meet an American who knows his Wordsworth.
Living in a cultural milieu where the foreign writers most widely available and admired were Russian, I came very late to postwar American writers, and I had great trouble with the canonically exalted white male writers I tried first.
I do feel fortunate to have some knowledge of the great Latin American writers, including some that are probably not that well known in English. I'm thinking of Jose Maria Arguedas, whom I read when I was living in Lima, and who really impacted the way I viewed my country.
The point about sales is relevant because it suggests there are cultures out there that are supporting and consuming, on a vast scale, challenging works of literature. Works of literature that in the United States would sell only a few thousand copies, if they managed to find a publisher at all. The success of these texts in Spain or Italy or wherever contributes to a kind of national conversation that we're perhaps not having here in the U.S.
Like many American readers, I was first introduced to Magda Szabo's work when New York Review Books reissued the Hungarian master's profound and haunting novel 'The Door.'
My father read Günter Grass. He introduced me to German literature. I believe the first book I read by a German author was from Grass. After that, Thomas Mann accompanied me for a few years during my literature studies. I tried again and again to read the original German text, but I never really succeeded.
As publishers focus on blockbusters, they steadily lose interest in little-known authors from other countries.
It's only a drawback in the States, where most people seem to have no real interest in other countries and the notion of a novel which might offer insight into life in the UK doesn't seem to appeal very widely.
The books that really made an impact on me were not set in New Zealand. Some were New Zealand novels, but the New Zealandness of them was not what carried me or excited me.
I wonder what all those Chinese poets sound like in Chinese. I like their distilled quality.
I read Russian literature a lot.
I didn't ever consider poetry the province exclusively of English and American literature and I discovered a great amount in reading Polish poetry and other Eastern European poetry and reading Russian poetry and reading Latin American and Spanish poetry and I've always found models in those other poetries of poets who could help me on my path.
I think one of the things that distinguished my work from the beginning when I was in college was my turning towards poetry from other countries.
Some major American publishing houses still seek work by foreign writers.
Visit any bookshop in Europe, and the shelves are filled with English novels and non-fiction books in translation - while British bookshops stock mainly English and American works.
A few of the world's most famous non-American novelists have large followings in the United States, among them Gabriel Garcia Marquez and Guenter Grass, who were both popular even before winning the Nobel.
I find Japanese books quite baffling when I read them in translation. It's only with Haruki Murakami that I find Japanse fiction that I can understand and relate to. He's a very international writer.
I get into this unfortunate thing when I'm touring for my books. I was in Spain, and the media asked me, 'Who's your favorite Spanish mystery writer?' I'm totally flat-footed. I feel that I'm under-read when it comes to foreign writers.
In fact I enjoyed every minute of my life at King's, especially the discovery of French and German literature.
The English book world is relatively closed to translation, so only a small amount of foreign language work can come in.
