Female Audience Quotes

The show is called 'MacGyver,' and I've got to be there every day. There are probably a lot of girls out there watching the show that I don't have time to talk to.

The origin of 'Lenny Letter,' it started because Lena went on her book tour, and she had these audiences, young women, really diverse and looking for guidance.

I wrote a screenplay for a 'Sweet Valley High' adaptation, and it's really amazing to me how many women who are my age have responded to the idea and are excited about the movie.

I feel like it's harder to get women to show up for movies.

At work, you want to stand out but not in extra-funky ways. At the core, it's about dressing for girls - who are most of my fans - and you want to dress up for them. You just want to feel like you're on top of your game.

I grew up reading crime fiction mysteries, true crime - a lot of true crime - and it is traditionally a male dominated field from the outside, but from the inside what we know, those of us who read it, is that women buy the most crime fiction, they are by far the biggest readers of true crime, and there's a voracious appetite among women for these stories, and I know I feel it - since I was quite small I wanted to go to those dark places.

I think if you ask people why they watch me, there would be some common thread among all of them that I'm somewhat of an awkward older sister. I have a teen, mostly female demographic. How that happened, I don't know. But I think they see me as some sort of bizarre role model, and I'll keep trying to do that for them.

Then I was playing the piano at eight, and that helps you learn about women because most of the people I was playing for were women.

At male strip shows, it is still the women that we watch, the audience of women and their eager faces. They are more obscene than if they were dancing naked themselves.

Oprah didn't want to put me on the show for a really long time because she thought I was more for the men than for the women.

I'm perfectly happy when I look out at an audience and it's all women. I always think it's kind of odd, but then, more women than men, I think, read and write poetry.

I don't design for myself. I design something keeping in mind that it has to please a lot of women.

It's important for people to realize that music is gender-less. We are proving that every single day. On this tour, there are more women than men in the audience, and it's beautiful to see these girls own these hard-rock moments.

King's Quest IV was a much bigger hit than I, II, or III. I do feel that King's Quest IV was a pivotal game in bringing in more female players.

Japanese women have always loved my films, even when no one else did. Ever since I made 'Maurice' in the 1980s, I've been getting hundreds of letter from Japanese girls. They definitely have a special place in my heart.

In my songs there are no bad words, so kids can sing them, and girls can identify with singing with them, too, because it's not like a man singing reggaeton.

The Runaways' audience was 90 percent male. That was kind of depressing...Why don't women-our own gender-come out and support us?

After marketing surveys by Universal Studios indicated that 'Rocket Boys' as a movie title would not attract the female over-age-thirty demographic, the film was retitled and released as 'October Sky.'

I think women are different, and I think having them in the room is crucial to a family comedy, ensemble comedy, television comedy, where half the eyeballs on your show are women.

I do respect them; I have great respect for women. In fact, one of the reasons 'The Apprentice' was such a successful show for so many years, the audience of women was fantastic.

There's no way that any tabloid can survive if it doesn't get women to read it.

It takes a real designer to design for real women.

There are a lot of women at my gigs. The first show I headlined was a sea of women, which I can't complain about. I'm pleased these 18-year-old girls like my music.

It's weird, because American films in the 1930s and '40s, particularly melodramas, were made for woman, from Bette Davis to Joan Crawford to Barbara Stanwyck to Katherine Hepburn, and for some reason we've taken a step backward in this sense.

You need to know who your ideal viewer is, and mine is a 14-year-old screaming female. And I'm thrilled about that. I am thrilled.