Fantasy Elements Quotes

I think it's really hard to draw a hard-and-fast line and say 'Grimm's Fairy Tales' doesn't count as science fiction or fantasy. Or at what point do we say mythology is not fantasy, so reading mythology when you're young does not count as an exposure to fantasy?

I really love middle-grade. Middle-grade books have a little more of a magical, light-hearted feel. You can be a little bit more quirky, you can have a little more humor. It doesn't get so dark and deep.

I like to read fiction best and I like to write fiction, too.

I hardly ever read mainstream fiction that deals with life as it is. I like an element of fantasy, something that isn't quite of the real world.

Mysticism and the supernatural are embedded in the show - it's called 'Da Vinci's Demons' for a reason, and it's not just metaphorical.

We think, sometimes, there’s not a dragon left. Not one brave knight, not a single princess gliding through secret forests... What a pleasure to be wrong. Princesses, knights, enchantments and dragons, mystery and adventure... not only are they here-and-now, they’re all that ever lived on earth!

Blending consensus historical events and personages with imaginary occult forces is a strong recipe for counterfactual storytelling goodness that combines the best of two worlds: resonant history with wild-eyed fantasy.

I don't think I've ever really been a science fiction writer. I'm closer to a fantasist, speculative fiction, whatever, but labels are ultimately derogatory, and I eschew them as best I can.

It's just science fiction so it's allowed to be silly, and childish, and stupid. It's just science fiction, so it doesn't have to make sense. It's just science fiction, so you must ask nothing more of it than loud noises and flashing lights.

My wife, Lisa, and I both grew up on wuxia - Chinese historical romances. They're kind of analogous to Western epics. They're based on history, just like 'the Iliad' and 'the Odyssey' are based on history, but they're romanticized, and a lot of fantasy elements have been added.

I'm the luckiest guy in the world. I got to direct a movie involving three of my favorite things in the world: space operas, Marvel superheroes and raccoons.

I loved fairy tales as a kid. I've always been drawn to fantasy. They're always exciting. There's never a dull moment. I just love the embellishments and the magical stuff. It's such fun to work with and to re-imagine your own way.

The thing that all sports have in common is that they have no fantasy elements, which is a little weird.

I think authors are just realizing there's no real reason to feel limited to a narrow set of genre rules in their writing. There's no reason a mystery novel can't have fantastic elements in it. Similarly, there's no reason why your epic fantasy series can't have elements of a mystery.

I do enjoy a bit of the fantasy world that anime provides, but at the same time, I need the reality in it. I'm very much a stickler about the actual animation. I'm not into the cutesy, stereotypical animation with big eyes and a small chin. That annoys the hell out of me.

Well I would say that, you know, I agree in part with that it [The Starter Wife] is fantasy and it is a romp in that, you know, the comedy stems from shining a light on the sort of more extreme aspects of the Hollywood culture. So, you know, anytime you turn up the gas, so to speak, on the stove and make things more extreme it becomes funny. But I do think that, you know, the other half of the show is absolutely relatable and that's been an important goal of ours.

One of my heroes, G.K. Chesterton, said, "The old fairy tales endure forever. The old fairy tale makes the hero a normal human boy; it is his adventures that are startling; they startle him because he is normal." Discovering that the modern world can still contain the wonder and strangeness of a fairy tale is part of what my novels are about.

People ask me whether I see 'Star Wars' as a comedy or a tragedy, but it's really neither - it's partly a history, like 'Henry V,' and partly a fantasy, like 'The Tempest.'

I find fantasy easier to write. If I'm going to write science fiction, I spend a lot more time thinking up justifications. I can write fantasy without thinking as much. I like to balance things out: a certain amount of fantasy and a certain amount of science fiction.

Some writers later, describing the events of that night and day, wrote that Wan'yen of the Altai had seen a spirit-dragon of the river and become afraid. Writers do that sort of thing. They like dragons in their tales.

Whenever you're writing a book or creating a movie or a game, your first task is to get the reader/audience/player to suspend disbelief, to buy into the logic and boundaries of your world, even though those boundaries might include things like dragons and magic. To do that, you need long threads - of history and culture.

When writing fantastical literature, your biggest problem is getting your audience to believe the fantastical elements of your story.

A lot of the strength of an RPG world lies in its foundation: its systems, lore, and when appropriate, its magic systems. While there are elements tied to 'Project: Eternity' that at first glance seem to be classic fantasy, that's intentional - we do want to recreate some elements of a High Fantasy experience.

The SF genre, of course, is really an organically evolved, marketplace-determined, idiosyncratic grab bag of themes and signifiers and characters and icons and gadgets, some of which hew to the realistic parameters and paradigms embraced by science, others of which partake more of fantasy and magic.

'Luther' is absolutely a monster-of-the-week show. Although it's post-watershed and is rendered in intense graphic novel-style images, it's inspiration is not that different from 'Doctor Who' as in both cases you've got a trickster figure who fights the monster of the week and is eventually successful.