It's great when a director like Cameron Crowe can take what you do and fit it into what he's doing. If someone's a fan of you already, they can take what you do and make it work for what they're doing. You don't know their vision, and you're thinking, 'How is this guy going to take what I do and make it work in this movie?'
It's the same with people knowing absolutely everything there is to know about an actor. I actually think the more personal information you have about an actor, the more you have to carve out for yourself when you go to a movie and see them in it.
Sometimes your fans are way deeper than you are. They think you meant something like this big power-of-the-world thing that you said, but really you were just trying to find a word to rhyme with another word.
In the 'Doki Doki Morning' video, there were lots of parts where we weren't dancing. It was just, you know, our faces. But fans thought up their own movements and dances for those parts, and they made lots of outfits, too.
I always think it's better to take your time and go through a lot of ideas - and dismiss a lot of ideas - before figuring out where to land. It's a good way to care for your audience, too. If you spend hours and hours and days and weeks coming up with the ending, then there's a chance the fans won't figure it out on their own.
Some fans understand who I am and why I do things, and then there are some fans that have formed an opinion that I don't feel is who I am.
Anytime you have a female protagonist, it's going to turn into some feminist angle, and it's not a conscious thing on my part. It's only recently that that's been pointed out by the media . . . or pointed out by fans. I also find complicated, flawed characters interesting. What's the opposite? To play one-dimensional, boring failures?
To be perfectly honest, most fans see a different game to players. I am not being rude when I say that.
Hardcore fans have a vision in their head, and if they look at your cosplay of it, you may not fit their vision.
That's one thing about Dave Filoni. He doesn't call me up unless there's something to think about or there's something that we have to work out on a philosophical or moral or a mythological riddle that we need to solve. Some sort of moral conundrum that we need to place our feet on one side or the other. It's fun when we can ambiguously put those feet into the sand and let the fans discover for itself what it all means.
