Fame Management Quotes

I never took the fame too seriously. It was a great period in my life, but it doesn't define me.

There are two jobs. There is being an actor, and there is being a celebrity. Some people are really good at both. Some people are really good celebrities and terrible actors, and some people are really good actors and terrible celebrities. Hopefully, I am a really good actor and an OK celebrity.

I try to keep my integrity. I don't want to be in 'Hello!' or on 'Celebrity Big Brother.'

Attention from the photographers is part of my life and I think the best thing is to learn to deal with it.

You can become a star overnight, guys. You can be on the street walking one day, and you're on your way to the corner diner, and you had to hitch a ride to get there. And the next day, you can be a huge star, money coming at you from right and left. And you've got to know how to handle that situation.

If you want to go on the floor, go in disguise because otherwise you won't be able to. I would just put on a full Darth Vader costume and walk through Comic-Con so I can actually check it out and enjoy it as opposed to being approached by everyone, which is lovely, but it gets very difficult to enjoy because there's so many people there.

I got offered a bunch of reality show stuff, but I didn't want to be known for that, so I turned it all down.

It's hard to bury your head in Los Angeles. People come up to you and say, 'Hey, I saw your picture on a bus.' It's tricky: You're excited by the possibilities, but you don't want to get too crazy.

If you look at my career and you look at the span of my work and the things I have done, as far as to garner fame, you'll see that I have turned down more interviews than I do. Or I turn down more things than I do.

When you have success on the field, you're more popular and you have that fame that comes with it. You realize you're in the public eye more and you've got to be a little bit more careful about some of the things you're doing out in public and make sure you're smart about the things you say. You're still going to make mistakes from time to time, but you represent an even greater population and people are that much more looking for you to be in the wrong place at the wrong time or fall down or say something really stupid that's going to get you in trouble.

Every day, I work at not taking this fame thing seriously. Fortunately, I have a great group of friends who help me do this.

There are ways of avoiding becoming tabloid fodder and therefore giving people license to pry into your private life. And there's a distinction between being an actor and being a celebrity. You may become a celebrity through acting, but you don't need to do so.

While 'Felicity' was successful in the States, and I had opportunities to do other stuff, I didn't want to do anything to make myself more famous. I wasn't dealing well with the celebrity of all of that. I was 23 - just a kid - and not coming from money, it was all just too much. I just wanted to slow it down a little bit, and gain control.

Fame is a four-letter word; and like tape or zoom or face or pain or life or love, what ultimately matters is what we do with it.

Your celebrity capital rises and falls in any given year. And when you have some - temporarily, usually - you try to use it for some good.

My name, Diana Ross, is my name and nobody should be able to use that for exploitative purposes but me.

I love Natalie Portman. She worked when she was younger, and she's so talented and private. She doesn't do things that are too crazy, but she pushes the envelope enough.

Alas, we are the victims of advertisement. Those who taste the joys and sorrows of fame when they have passed forty, know how to look after themselves. They know what is concealed beneath the flowers, and what the gossip, the calumnies, and the praise are worth. But as for those who win fame when they are twenty, they know nothing, and are caught up in the whirlpool.

I can teach you how to bottle fame, brew glory, even put a stopper on death.

You shouldn't inflict yourself on the public when your fifteen minutes is up.

There's an abundance of exposure when you start working in American films. Inevitably you become a brand and that has to be controlled.

Doing my first movie, I realized I could get into real bad habits. If you're the star, all you have to do is show up, and 20 people say, 'Do you want anything? What is it? Let me get it for you.' Believe me, you get spoiled very quickly. I saw some of my contemporaries allow themselves to have that fame, thinking they could handle it. It messed them up.

I completely understand how temporary fame is, and I keep my sanity at all times.

You know I've been in these tabloids for years now. And at some point you just become a Zen master of it all. Most of these stories, you get probably 2 percent real fruit juice and the rest is just garbage with no nutritional value.

The whole fame question is one that is constantly intriguing to me. I think that fame is something that other people create about you. Whether you jump into that or not is up to you - and whether you have the talents for jumping into it or not.