Talking Heads were a big influence on my comedy. For David Byrne, every album had to be different. With 'Portlandia,' every season has to be different. You gotta reinvent the look, all of it.
I love the way Lady Gaga finds humour in fashion, but it's still very stylised.
I used to dress like an eight-year-old boy. Traveling has inspired me to be more experimental.
The biggest and most interesting challenge is to bring Elsa Schiaparelli's legacy to the present and the future. She had an exceptional, incredible, and intelligent approach; she was ahead of her times.
What's very funny is when you see amateurs filming something, they do some things no professionals would dare to do. They instinctively do things that are very avant-garde and useful.
You really do have the license during fashion week to wear the things that you wouldn't necessarily wear to dinner, because it really is a fashion parade.
Stylistically, things are becoming cooler. People are trying different things and combining genres.
The secret is to remain true to your aesthetic vision, so that people can see that you really believe passionately in what you are doing. That way, they can relate to your style. At the same time, you experiment-you try new things.
Hendrix was a different kind of guitar player. It was like, 'Holy cow, this guy can sing, he can play all this weird stuff... what is this?' It was a new kind of music.
It has taken a long time for me to really dress as the artist that I am: I'm an indie girl, I like experimental, I like things to be subverted. Details are the fun part.
Every time I listen to Jeff Beck my whole view of guitar changes radically. He's way, way out, doing things you never expect.
I love doing supercrazy, avant-garde but still stunning looks.
I think I am the most impressed with writing styles that defy category, like Kharms or Selby, Breton or Jarry, where you become as interested in the writer as much as the writing itself. It's all these things that make reading so appealing to me.
