Escapist Literature Quotes

I always read a lot as a kid and I'd spend long periods of time in my room reading... I wasn't reading anything great until I got older, but I used to read Agatha Christie mysteries and all of Ian Fleming's 'James Bond' novels.

I was never a 'Mills and Boon' kind of a person.

When I was growing up, my idea of a writer was someone like Sven Hassel, that mysterious Danish author who wrote thrillers about men clambering over walls and getting tangled in barbed wire.

Every day I ran to that book like it was a bottle of whiskey and crawled inside because it was a world that I had at least some control over, and slowly, in time, it began to take shape.

Literature is the most agreeable way of ignoring life.

I was the kid who stared out the window. I fantasized myself on the deck of pirate ships - Cussler at the bridge.

Do the children who prefer books set in the real, ordinary, workaday world ever read as obsessively as those who would much rather be transported into other worlds entirely?

A Hot Fudge Sundae and a trashy novel is my idea of heaven.

The most common criticism I've seen is that I write 'popcorn fantasy:' lightweight action-adventure. Some people call it that as they explain why they love it for exactly that reason. I'm cool with that, either way. I just nod and let it go.

I don't read an awful lot of fiction and when I do, it tends to be lightweight stuff.

I do realize that I am a popular writer who people buy to take on vacation. I'm an escapist kind of writer.

A really great popcorn movie is extremely hard to pull off. A really great popcorn book is equally hard to pull off, so I don't feel guilty devouring one.

Some people become passionate readers and fans of science fiction during childhood or adolescence. I picked up on SF somewhat later than that; my escape reading of choice during my youth was historical novels, and one of my favorite writers was Mary Renault.

Certainly, light fiction exists and encompasses mysteries or second-class romance novels, books that are read on the beach, whose only aim is to entertain. These books are not concerned with style or creativity - instead they are successful because they are repetitive and follow a template that readers enjoy.

The writer must face the fact that ordinary lives are what most people live most of the time, and that the novel as a narration of the fantastic and the adventurous is really an escapist plot; that aesthetically, the ordinary, the banal, is what you must deal with.

By the age of three ... I was already an addicted reader. I still crave daily immersion in experience other than my own; (it needn't be more pleasant, exciting or illuminating -- merely other) and I still fall into books as though into catalepsy.

I think myself I ought to be shot for writing such nonsense... But it's unquestionably good escapist literature, and I think I should rather like it if I were sitting in an air-raid shelter or recovering from flu.

But then people don't read literature in order to understand; they read it because they want to re-live the feelings and sensations which they found exciting in the past. Art can be a lot of things; but in actual practice, most of it is merely the mental equivalent of alcohol and cantharides.

I like feel-good fiction and mysteries.

I know not everyone starts out reading high literature. If you read enough you might be drawn to some other things, so maybe those vampire books are what they call 'gateway books.' I just coined that term. I don't know if there's a thing called 'gateway books.'

People say 'chick lit,' and what they mean is 'crap.' And so even though you might sell 100,000 copies of a book, you're never going to win a prize. These are books that people don't just read, they devour them - they stay up into the early hours because they want to devour them.

I read a lot of lot non-demanding fiction.

The 'beach read' has become such a ubiquitous concept in contemporary literature that we assume it has always been around. In fact, the term only emerged in the 1990s, usually in book trade publications such as 'Booklist' and 'Publisher's Weekly.'

I don't see why escapist literature shouldn't also be a work of art.

Spread the glad tidings that it will not disappoint Miss Heyer's many admirers. Judging from the letters I've received from obviously feeble-minded persons who do so wish I would write another These Old Shades, it ought to sell like hot cakes. I think myself I ought to be shot for writing such nonsense, but it's questionably good escapist literature and I think I should rather like it if I were sitting in an air-raid shelter, or recovering from flu. Its period detail is good; my husband says it's witty---and without going to these lengths, I will say that it is very good fun.