People don't realize enough how important and influentical John Carpenter has been in electronic music. He did his soundtracks by himself, using mostly electronic and analog synthesizers. He's a cult figure with DJs these days for good reasons.
I tried so many different musics. I kind of burned out on classical and wanted to make it fun again. I started playing with indie bands and country bands and finally realized electronic music brought my style to life.
It's much easier to have a diversified career as an electronic musician than it is as a drummer. Nothing against drummers. If you're a drummer, you just wait around for people to ask you to play drums. But if you have your own studio and can make music, you have the ability to approach music a lot differently.
I made an electronic record in the vein of Cluster. I was programming synthesizers and drum machines and that sort of thing.
I've been a fan of electronic music for a while.
Hip-hop and electronic music are so similar, in the fact that they're both very visceral, have so much bass; a lot of times, it's the same tempos. The culture and some of the sound design is different but a lot of times, it's the same stuff.
There haven't been many credible electronic covers records.
Amon Tobin has been producing electronic music since the mid-'90s, and was a key figure in the rise of drum-and-bass. He's also written some of the genre's most compelling tracks, in the process delving into jazzy breakbeats and bass lines.
I've been a fan of electronic music since the beginning.
What Skrillex does with Ableton it's like being a little god. It's not just pushing loops - that's easy - but to do the effects he's a genius.
People are rejecting the power of the elite, but individuals such as Snowden are doing so in a positive way, trying to change things for the better. He is a very intelligent man and obviously interested in electronic music.
I want to make music that is completely electronic but doesn't feel it.
We wanted to be like Radiohead. When they started experimenting with electronic music, it gave us the idea that it might be a cool idea to do.
There is nothing wrong in electronic music or synthesised music.
I've always appreciated having a wide music taste, despite making what a lot of people would call electronic music.
People are approaching electronic levels in music; although not all of it happens to tickle my fancy.
Well there's a lot of machines making music today too so you should expect perfection from them! Other than that it's humans programming it which is actually why i still like it. But yeah, that sounds about right. Now what I've got to do is I've got to stop expecting it of myself.
When I use electronic beats and program things, there's something quite brain about that - you're feeling it in your body but it's like a puzzle you wanna solve, and it gets very detailed. I really enjoy that side of music.
When I started working on electronic music, that was after the rave period. I haven't even seen that part of it that much.
I think people in electronic music are trying to get these big features: 'Oh my gosh, I'm gonna get the biggest pop star to feature on my track.'
I think a lot of electronic musicians are drawn to starting with texture because the whole reason we're working with electronics is to try to create new sounds or sounds that cannot be created acoustically. When you're doing that, it's nice to be able to just create a different palette for every single song. I feel like a lot of electronic music sounds like...Each album sounds like a compilation more than it does a band.
Computers and electronic music are not the opposite of the warm human music. It's exactly the same.
I feel just as passionately about experimental electronic music as I do about folk music.
Even though I've been making electronic music since I was 14, it's hard for people to see you as a producer with a musical identity when you're contextualized in a band that performs on a stage.
To me, the original VCS3 synthesizer is like a Stradivarius.
