Effects Pedals Quotes

On 'Honeybabysweetiedoll' I used a Whammy, a Boss OC-3 octave box, a Sustainer and a Line 6 DL4 Delay Modeler. That's only on the intro, where all those weird noises are happening.

Rock music is electronic music, dependent entirely on electronic circuitry and amplification.

I use Pearl Eliminator Pedals and I swear by them.

I like to just plug in and play; I don't use a lot of effects.

I use Gibson guitars; I prefer the Les Paul custom.

I still play Strat, I don't know nothing else. Strats and Telecasters.

As a guitar player, I've been influenced by dance music - it was Crystal Method and The Prodigy back in the day. I would listen to those textures and try to approximate them on the electric guitar.

I like the sound of a Silvertone amp for myself. It's kind of cleaner guitar sounds when necessary, maybe a little less metal-sounding. But it really doesn't matter what amp I play through; it's really the way I voice chords and play guitar, how I strike the strings.

My tools are musicians, effects, things like that.

I'll have a chorus pedal or a flanger or an echo, that kind of thing. But as far as specific pedals, the one that's really been a mainstay is the TC Electronic MojoMojo.

My basic setup is my Ibanez Fireman guitars and for pedals, the TC Electronic MojoMojo is the mainstay of my board, along with a Catalinbread Calissto Chorus.

I always use my Les Paul. I have a Hamer as well. I use a Tele and an Esquire - once in a while, I will use a Strat, and I never use any pedals... except for in my car.

Trent likes to record guitars direct, whereas I've always preferred playing through an amplifier.

I'm so used to knowing what to do with an electric guitar and amplifier, but with an acoustic guitar, it's different, but I still have an amp and a whole bunch of pedals.

In the studio, my brother and I have always used a lot of Marshall amps. We like to keep it pretty basic. We just use a couple of cabinets each - sometimes just one, if we think that's enough. We mainly go for 100-watt and 50-watt heads.

In my touring rig, there's a pedal drawer, where I'm able to switch pedals in and out, going into the front of the amp.

I write almost all my songs on an acoustic guitar, even if they turn into rock songs, hard rock songs, metal songs, heavy metal songs, really heavy songs... I love writing on an acoustic because I can hear what every string is doing; the vibrations haven't been combined in a collision of distortion or effects yet.

The heavy guitars are the ones that sound good. They are not that comfortable, but they do sound great.

When I first started experimenting with harmonics, I'd sometimes hook up two distortion boxes just to get my strings 'frying,' which helped bring out the harmonics.

I've always loved the electric guitar: to hold it and work it and hear what it does is unreal.

I've always liked the electric guitar better. Even though the acoustic can be a very sexy and mysterious instrument, I can go to way more places with an electric.

It's good to have certain restrictions sometimes, but it's definitely more fun to play really loud, with distortion.

I've really gotten over pedals. I can't keep up with this craze of boutique pedals that make you sound like everything but your guitar. I can't get my head around it.

Describing certain sounds, there's a common language that guitar players have.

I have no secrets; all of these things have been discussed at length in guitar magazines over the years but are far too elaborate to cover in one article.