Dress Design Quotes

The key to transforming your look with a collar is ensuring that it looks as if it's part of the dress, so there shouldn't be any skin visible underneath.

Since I started playing at the Olympics in 2000, I have always wanted to do a dress based on Wonder Woman. It should be interesting to wear. And hopefully, it will get me a gold medal.

I always love long shirt dresses with hand painting on it. It's just wonderful.

My dresses are very reasonably priced, for dresses that are cut on the body.

When I went to see Mrs. Clinton and we talk about the inaugural dress I ask her what would you like to achieve with this particular dress? And she said to me what I would like is - that when I walk into the room and people will look at me and say wow you look great.

I find that even the simplest of dresses, if it has the correct seaming and the correct fabric, whatever shape or size you are, it can change the way you hold yourself.

Yesterday morning I amused myself with an exercise of a talent I once possessed, but have so neglected that my performance might almost be called an experiment. I cut out a dress for one of the women.

My dresses are designed to win, so going through it, I think about, what do I want to represent? So, definitely, Vera Wang has been an inspiration for me.

It is important that every bride feels comfortable in her chosen dress, and fabric choice has a big part to play in this.

I'd love to do a fashion label in the future. I've been thinking a lot recently about maybe making a line of little dresses, so maybe one day.

I do not discriminate about size. I design dresses to accentuate a woman's positives, whether you are a size 0 or a size 3X.

A dress made right should allow one to walk, to dance, even to ride horseback.

A dress is a piece of ephemeral architecture, designed to enhance the proportions of the female body.

People love fashion exhibits because they can fantasize. They can respond to a dress even if they can never wear a dress like that.

I absolutely adore Alessandra Rich, I think her dresses are stunning and she really knows how to cut and dress the female shape. Her stuff is really beautiful, stylish and a little bit quirky. I love it all!

The thing is, if you're a designer, then you want to constantly push yourself and your designs. When we make a new collection, we're changing shapes, we're changing patterns. We get a dress on a model, and it's our first time seeing what the dress really looks like on a woman's body.

I was partially raised by an aunt who was a dress designer, so I was around her studio all of my early life. I know materials. I can look through Harper's Bazaar and decide what works and what doesn't, or any other magazine, Seventeen if you wish.

Always I remember when I am young, I ask my mother, 'I really want to be a dress designer.' In that time, was quite difficult because, you know, my family always criticize me for it not to be a man's job.

Any girl from any walk of life dreams of that special dress, and I try to make that dream a reality for her.

I always drew dresses. I remember loving Richard Avedon's early Versace campaigns. I used to plaster my whole walls with them when I was a kid.

I create mood boards, and then we source fabrics and design the dresses. We are trend-led but also do our own thing! I want women to feel fabulous in our creations.

I went looking for dresses and realized there was a niche I could fill in the wedding dress market.

If I don't see an emotional response to a dress, then I think something's wrong.

It has been the experience of a lifetime to work with Catherine Middleton to create her wedding dress, and I have enjoyed every moment of it.

I was 26 when I invented the wrap dress. It was just a nothing little printed dress made out an jersey, and before I know it, I lived an American Dream making more than 25,000 dresses a week.