Diverse Narratives Quotes

They lived in a great city, a metropolis of many narratives that converged briefly and then separated for ever, discovering their different dooms in that crowd of stories through which all of us, following our own destinies, had to push and shove to find our way through, or out.

I think as more women are in positions of power, more people of color are in positions of power, the stories become more inclusive; the casts become more inclusive.

Just because life is hard, and always ends in a bad way, doesn't mean that all stories have to, even if that's what they tell us in school and in the New York Times Review. In fact, it's a good thing that stories are as different as we are, one from another.

I tell everyone a different story. That way nothing's ever boring, even when they turn and say goodbye.

What's interesting about the U.K. is that it celebrates an alternative voice. It's up for telling new stories.

I never wanted to live a relatable life, I wanted to live an aspirational life. I didn't want to see people who had my life on TV. I wanted to see other lives, right, and so I was always trying to get as much of that stuff as I could.

I think it's a total fallacy for people to say, "You couldn't make those old movies today." I think there's more ways to get a movie made today than ever in the history of the entertainment industry. It's a very exciting time to work in movies, if you're a creative person looking to make a very personal, weird vision.

We have African-Americans and black people getting behind the scenes more and more, we get true black images in television and film...because we have black people behind them. They can tell stories from those points of view and bring to life those characters who have yet to be shown. As long as we have people behind the camera just as much as in front of the camera doing the work, then we'll always be good.

You know, it shouldn't just be about women as heroic figures overcoming things, it just needs to be about women in general getting the opportunity to play a multitude of roles, telling a multitude of stories - just to express human experience from a woman's perspective. I hope, someday, we can get to that point. I'm all about representation.

The stories of kids who grew up in communities like mine weren't being written about in many books for kids.

You've got to support male stories and healthy male relationships and things. You can't just be a woman that is only want to support female stories or a guy that's only wanting to support guy stories. It needs to all mix again.

That's very, very important to me, to give another narrative. And Netflix has not been afraid of doing that, as we see from the plethora of shows that they have, from British shows to American shows like 'Master of None,' which I've been very grateful to be on, too. Just giving platforms to people who haven't seen themselves on TV.

It's important to tell queer stories and to show queer relationships in a very normal setting.

I started a production company out of necessity, the need for great narratives for actors of color.

I grew up watching cinema in my country that wasn't telling stories about us, and we had to find a way to connect, and our references, our role models had nothing to do with us. And I'm so glad that it's changing.

Growing up, I was always super into fantasy and 'The Lord of the Rings' and 'Game of Thrones' and all of that, but I could never find black characters whom I really liked.

It was always a false assumption that white American writers cannot write novels about race unless they're approaching it from a very oblique angle.

In a television interview, I said that diversity in our children's books should include the adventures of disabled children, travellers and gipsies, LGBT teens, different cultures, classes, colours, religions. It shouldn't be a token gesture, nor do such stories need to be 'issue-based'.

What is missing in a lot of urban music is perspective. You hear a lot of regurgitated perspective. It's a lot of: out at the club. Had drinks. Patrón. Big booties. It's this regurgitated idea of living in this, I don't know, one-night-stand moment that always starts at the club and Patrón. And so perspective, perspective, perspective is what I'm an advocate of.

There are as many stories to be told as there are people to tell them about; only the mean-spirited would consider there to be a competition at all.

Developers need to start moving away from the entitled macho-male power fantasy in their games. They need to recognize that there are wider stories that they can tell.

I would like to tell stories through the lens of the gay person, but not just for gay people.

Black people loving and losing is something we don’t see enough of. We’re always in these heightened situations like something big is happening, something funny or something violent. And you know what? Sometimes we die of breast cancer or a broken heart. Things happen that are just not being explored cinematically. It’s time we reinvigorated that type of film.

It's a great wake-up call for our entire industry: What movies are we making? What storytellers are we allowing to tell the stories? What people are we allowing to be cast in those stories? I think we need newer stories, and more people given the opportunity to do anything they want.

I come from the best era of film I believe; when people were taking chances on films. It's time for us to bring more truth to the story and not necessarily carry a torch for every Black person in America; just tell a story, and a good one too.