Disorienting Experience Quotes

My family lives there, so I come back sometimes between shows for a couple days. I get back a couple times a year. When I was 30 to 34 I was weirded out when I came back - you know, how your past gets away from you. It's grown so much.

Wrap parties can be really sad, actually, disorienting.

I literally went straight to New York City from Iraq, which was bizarre and complicated. I was walking down Madison Avenue, and it was spring, and people were smartly dressed, and it was so strange because there was no sense that we were at war. It was something to grapple with.

Blasts from the past were like the rooms one entered and re-entered in dreams: they would not stay nailed down. When you returned to them, they had changed - they suddenly had more space or a tilt or a door that had not been there before. New people were milling around, the floors undulated, and the sun shone newly, strangely in the windows, or through the now blasted-open ceiling, or else it shone not at all, as if having fled the sky.

Well, finally, the events I've been through have been tremendously complicated. All kinds of characters have come on the scene, and strange things have happened one after another, to the point where, if I try to think about them in order, I lose track.

The strange thing about hotel rooms is that they look familiar and seem familiar and have many of the accoutrements that seem domestic and familiar, but they are really weird, alien and anonymous places.

Going to hospital is rather like going to an alien planet.

Moira was like an elevator with open sides. She made us dizzy.

There was something about the music on that tape. It felt different. Like, it set her lungs and her stomach on edge. There was something exciting about it, and something nervous. It made Eleanor feel like everything, like the world, wasn't what she'd thought it was. And that was a good thing. That was the greatest thing.

you ever have that feeling when you step down onto a footstep that isn't there?

Walking down Belmotte was the oddest sensation-- every step took us deeper into the mist until at last it closed over our heads. It was like being drowned in the ghost of water.

But mostly they were lies I told; it wasn't my fault, I couldn't remember, because it was as though I'd been to one of those supernatural castles visited by characters in legends: once away, you do not remember, all that is left is the ghostly echo of haunting wonder.

My favorite film score is the one Thomas Bangalter created for 'Irreversible.' The soundtrack absolutely defines the daymare-into-nightmare feeling you get from the film.