I've always wanted to make Australian art interesting. To get a different audience watching art documentaries would be great.
I'm always trying to bring unusual content to a different audience - a non-art-world audience.
I want to write some books. Books that have nothing to do with music, just some fiction type of books for a whole different audience of people.
The matinee audiences are different because they're mostly kids, a great percentage kids. So they respond to everything differently, but I understand what they do respond to.
'Snowpiercer' is a little bit more experimental, I think, and crafted for a slightly different audience. 'The Giver' is more about teen angst.
I think the biggest challenge was being aware of a certain audience that was going to see this film [lone survivor]. There's a big difference from a typical movie, journalists and critics and film goers that go see it find that, that's the general experience you have as a filmmaker. So that just kind of proves my point that there's a really different audience.
But I think there is a space for a second league, which is UTS, that is more modern, and is targeting a difference audience.
I rather like finding out instantly whether you've been successful or not. It's a cliche, really, but the fact is that every gig is different: it's a live event, and you're with a different group of individuals every night.
Each audience is different.
