I was in Studio 54 one time; it was great. But I'm not a discotheque guy. Sometimes, if I had a new demo, I went to some discotheques to check it out - see how the reactions of the people were. But just to dance, I rarely did that.
The history of all big jazz bands shows was, first they played for dancing, and then they played for singing.
When you go to a club it's not about being black or white or heavy or thick. I'm shaking my ass because I want to shake my ass, not 'cause "I'm dancing like a black girl!"
The whole reason to make a solo album is to express what you can't express with the B-52s. The B's are so much about fun and partying and dancing.
I wasn't out drinking and abusing my body. I simply loved to go out and dance.
When you're out dancing with your friends, you think you're cool. But then you get in the ballroom, and it's totally different.
I love dancing in general and making girls dance. My generation doesn't do it enough.
I loved to dance and went to Studio 54 at least twice a week. But I always felt nervous around the people there. I was in awe of that whole Halston-Liza Minnelli crowd. To me, they were the real celebrities, and I was just a girl from Idaho.
I've wasted the last five years of my life dealing in religious articles. People today find spiritual solace in ballroom dancing.
I was raised in a really terrific, close family, and I've never needed to escape anything or to really let myself go by dancing on tables.
He [Gene Kelly] once told me dancing was a man's game, as much of a sport as baseball itself. And he made us believe that. He changed our minds and suddenly, all of America wanted to dance just like Gene Kelly.
