I was stranded in Disco. I went to dozens of darkened places with enough flashing lights to drive the average person mad. I felt lost in the pulse of sheer panic.
I was in Studio 54 one time; it was great. But I'm not a discotheque guy. Sometimes, if I had a new demo, I went to some discotheques to check it out - see how the reactions of the people were. But just to dance, I rarely did that.
What's New Orleans without music? And what's music without dancing?
The '80s was a wild decade, and I had some fantastic times. And I did some really fun work.
People want entertainment, a whole night of it, a whole experience.
I never went to any disco, I didn't know anything about dance.
New York feels like the whole city is into dance music. That's not how it felt when I was younger. There was more of a hipster scene.
With 'At What Cost,' I was basically reliving a time in my life during the go-go era. I remember when it was popping for my generation and how that felt and what it looked like.
I like places where you can dance to crazy music, like Bedlam or Eastern Bloc in the East Village.
The nightlife in Baltimore is very mixed. Any gay people I know go to the hipster bars; they don't go to the gay bars. Start your night at the Club Charles, and then you can meet people to go other places. The Charles has been Baltimore's favourite cool hipster bar forever.
I go to dance clubs...about once a year just to justify the other 364 days I spend in my apartment going 'God, what idiots!'
I didn't live in the world of disco or the world of the Eagles.
When I went to high school, in the late 1970s, disco was in full swing and anyone who was into it dressed the part. I know I did.
We always go out looking for live music after our shows.
I think every Dutch person has a connection with dance music.
The effect hip-hop had on me was enormous. I was exposed to it by happenstance. My father worked at a radio station in New York called WKTU Disco 92. It was the first radio station in New York City to play disco in the late '70s.
Northern soul was huge in Manchester in the '70s and '80s; I went to a lot of all-nighters.
In the Top 40, half the songs are secret messages to the teen world to drop out, turn on, and groove with the chemicals and light shows at discotheques.
I was going to clubs in Manhattan when I was 14.
The club scene is terrible.
I only dance when I go out.
Writing songs about fancying people in dance clubs is all very well but it's not the be-all and end-all. There are other topics.
I like a lot of that Chicago stuff, house music.
I'm really into EDM music and the culture of that. I just love all that stuff.
I like to dance, but it's not my weekend activity. I'm not a clubber.
