Cultural Duality Quotes

I'm bicultural, and everyone sees me as a Latina, but in my head I see myself as both Latina and American.

My father is black and my mother is white. Therefore, I could answer to either, which kind of makes me a racial Lone Ranger, caught between two communities.

I think I was always informally thinking about choice from when I was a very young child because I was born to Sikh immigrant parents, so I was constantly going back and forth between a Sikh household and an American outside world, so I was going back and forth between a very traditional Sikh home in which you had to follow the Five K's.

As a New Yorker, I'm someone who lives on an island and looks across to America.

Japan today has become acquainted with the Western civilization of the rule of Might, but retains the characteristics of the Oriental civilization of the rule of Right. Now the question remains whether Japan will be the hawk of the Western civilization of the rule of Might, or the tower of strength of the Orient.

I sort of lived half my life in California, half in England, so I am, I suppose, a little bit American.

I guess, in a way, I grew up mixed race: half white, half black. That question's always been on my mind: 'What are you? Are you this or that? Are you a white dude or are you a black dude?' In a strange way, music and comedy is kind of the same thing. I'm both. They're just different modes of expression.

Culture is a matrix of infinite possibilities and choices. From within the same culture matrix we can extract arguments and strategies for the degradation and ennoblement of our species, for its enslavement or liberation, for the suppression of its productive potential or its enhancement.

What is attempted in these film is of course a synthesis. But it can be seen by someone who has his feet in both cultures. Someone who will bring to bear on the films involvement and detachment in equal measure.

I do think that some of my songs, like Take a Minute, are like the train between the two worlds. It starts out with the question of "how did Gandhi ever withstand the hunger strikes and all / he didn't do it to gain power or money as I recall," and its sweep reaches all the way to this part of the world. I think maybe I'm a translator, because I lived in both worlds and truly understand them. I understand the discontent that comes from not having. But I also understand the anxiety that comes from wealth and convenience.

The history of the American Negro is the history of this strife, - this longing to attain self-conscious manhood, to merge his double self into a better and truer self. In this merging he wishes neither of the older selves to be lost... He simply wishes to make it possible for a man to be both a Negro and an American.

I was born in Iran, left at a very young age-less than a year old-and grew up and was educated in the West. I grew up thinking of myself as an American but also, because of my parents and the Iranian culture that was in our home, as an Iranian. So if there's any such thing as dual loyalty, then I have it-at least culturally.

I don't want to, in any way, characterize a race or a people or get accused of racial profiling, but the Irish, as lyrical and romantic as they can be in their poetry, they can be every bit as repressed in their personal relations.

Superheroes are also about immigrants. Superman, the prototype of all superheroes, is a prototypical immigrant. His homeland was in crisis, so his parents sent him to America in search of a better life. He has two names, one American, Clark Kent, and the other foreign, Kal-El. He wears two sets of clothes and lives in between two cultures. He loves his new country, but a part of him still longs for his old one.

We are Americans when we go to war, and when we return, we are Mexicans.

Since the days of Peter the Great, Russians have been maybe Europeans who didn't share in the enlightenment and the reformation, or are they Mongol Asians with the European veneer. And they've gone back and forth.

When you come from an immigrant home, you're in a whole different world until you leave your house. In my teenage years, I had to learn to switch cultures the second I left my house and, when I came back, to go back to my fundamentals.

I live between two things-I live between art and pop all the time.

Being an immigrant and living in England, I feel like I lived in two worlds. There was the world that, when I was at school with my friends, was very English, and then I'd go home to another country, with exotic foods and colours. I have a sense of colour pairings, and that came from my background, I think.

One ever feels his twoness - an American, a Negro; two souls, two thoughts, two unreconciled strivings; two warring ideals in one dark body, whose dogged strength alone keeps it from being torn asunder.

A quarter of America is a dramatic, tense, violent country, exploding with contradictions, full of brutal, physiological vitality, and that is the America that I have really loved and love. But a good half of it is a country of boredom, emptiness, monotony, brainless production, and brainless consumption, and this is the American inferno.

Every black American is bilingual. All of them. We speak street vernacular and we speak 'job interview.'

Baseball exemplifies a tension in the American mind, the constant pull between our atomistic individualism and our yearning for community.

Every African-American I know has two faces. There's the face that we have for ourselves and the face we put on for white America for the places we have to get to.

I was raised in Brussels as a Belgian but, at the same time, feeling that I wasn't necessarily from here.