Comedy Festival Quotes

When you think about a festival from a comedian's perspective, it has to do with who else does it - that's number one. The second consideration - and this is kind of crazy - is: 'What's the food like? What is the town like? Is it walkable? Is it easy to get around?'

When I graduated, I was director of my school's sketch comedy group, and I knew that I wanted to be writing and performing my own sketch comedy. It kind of made me want to do my own one-person sketch group.

I'm a big comedy nerd, so I'm always looking for the chance to be funny.

I want to bring UCB to England. We don't have anything like it.

Something about New York, man: You can do more comedy there probably than you can anywhere in the world. If you're interested in being funny, New York is the place to go.

I'm looking to be the next comedy mogul.

Over the years, I managed to develop this comedy career, went from opening act to headliner at comedy clubs, to playing concert halls, and had an off-Broadway show with 'Sleepwalk With Me.'

I joined the after-school club, School of Comedy, which progressed wildly, and in quite a Hollywood way. It sounds like 'School of Rock', right up to trying to raise money to pay for a venue in Edinburgh.

My first time on TV doing stand-up, I actually did this show in Holland called 'The Comedy Factory' hosted by Jorgen Raymann. It was in 2006 in Holland. It was amazing. I had only been doing stand-up for four years, and I booked that gig through the Just For Laughs Montreal festival, and they flew me out and put me up.

I experimented with my own one-man show a couple of years ago in Aspen when HBO used to have their comedy festival there. I called it 'A History of Me.'

I can't think of another place other than TV where a five-person sketch comedy group could make a living.

I've been pitching a show of five female stand-up comedians through the generations, from Phyllis Diller to Amy Schumer, so when I got an e-mail asking me if I would participate in the Women in Comedy Festival, I was thrilled.

Really, I just love doing comedy. Any form it takes is great, as long as I can keep doing it, you know? If I can do my show and 'The League' while also getting to do other bits, that's awesome.

I've seen Don Rickles up at the Montreal Comedy Festival. Don Rickles was doing jokes in a wheelchair, and he was headlining a show. Do you think they would let a woman do that?

I've done the Hoboken Comedy Festival. It's cool.

There's no reason to be doing comedy during the day in a hot tent. I don't know why anyone thinks it's a good idea, but festival after festival keeps doing it. I did see some of the other comedians struggling.

I still have a desire to do some sketch comedy. My dream is to be on 'SNL,' to host 'SNL.'

I decided I'd try my hand as a stand-up comedian, as I loved making people laugh, and appeared at the Latitude Festival, won the 2007 Laughing Horse New Act of the Year, and was a nominee for winner of the 2007 So You Think You're Funny competition.

Theo does comedy now, and he's traveling around the country doing comedy, and I actually just saw him, he's from Louisiana, and I just saw him when I went home to visit my family in Louisiana. I saw his comedy show and he was brilliant.

I feel like L.A. is more of a showcase, and Chicago is a pure comedy scene where you're doing comedy for comedy. You're doing comedy actually for the audience that's there.

I spent seven years in clubs in England, Australia, etc. Not all comedians cross over to sell out in a theatre.

It's only fitting that a Jewish comic makes his Just for Laughs anglo debut in a church, right?

There was no Groundlings or Upright Citizens Brigade where I was from. Looking back on it, I was trying to do sketch comedy in my stand-up, which is still kind of what I am doing now. To go full-circle here, it's kind of like one-man sketch.

In the stand-up comedy top, there's room for everyone - if you're good, there's room for everyone. You'll put on your own show - no one casts you. You cast your own show as a stand-up comedian. When you get good at stand-up comedy you book a theater and if people show up, people show up. If people don't show up, people don't show up. You don't have a director or a casting agent or anybody saying if you're good enough - the audience will decide.

The Edinburgh Fringe is a tough beast and you do whatever you can to get through it. But it's really the worst place to see comedians; everyone is so tense and nervous because it feels like Ofsted inspectors are out there.