When you're writing these things, you're in a room making each other laugh, you really have very little sense of political correctness or incorrectness. This is a question that Europe tends to ask and America doesn't.
It is a fine line between making fun of the right thing and making fun of the wrong thing. And the language oftentimes is the same.
I'm six feet tall. No one realizes that because on 'The Daily Show' I'm usually sitting.
That's what I think works the best, and what I think makes the best comedy - something that's completely committed and more approached as an acting exercise, as opposed to being worried about whether to be funny or not. The comedy comes from the context.
I thought people would ask me really personal questions because I've shown more of myself, but it's a comedy, and people understand that it's a game we play.
Comedy is all about rhythm and context, and there's all types of comedies, and it's about finding that right brand, that consistency in tone.
Because also, sometimes things that are really funny on the day, when you look at them in post can feel too broad, you know? Sometimes not, but it's kind of weird how that can change.
I guess the more serious you play something, if the context is funny, then it will be funny and it doesn't really require you to be necessarily, explicitly humorous, or silly.
Tina Fey writes crazy, off-color, racist, hilarious stuff for '30 Rock,' but it's always funny because you're in this almost two-dimensional world where there's Jenna Maroney and these over-the-top characters. That's the framework.
