Color Reproduction Quotes

Once the image was in the digital environment, one of the problems was, we had no means to reproduce the color spectrum, grey scale, and contrast that film produces, without converting the digital file to film, evaluating it, then going back and changing the digital image.

There's a reason why I use film. It's because it's the best representation of how our eyes work. I really believe that. I think it's better than digital.

Photorealism's goal is to reproduce a photograph. The best photorealism can't beat a printer, and I have a really nice printer.

Do you know what will soon be the ultimate in truth? - photography, once it begins to reproduce colors, and that won't be long in coming. And yet you want an intelligent man to sweat for months so as to give the illusion he can do something as well as an ingenious little machine can!

The problem of direct colour photography has been facing us since the turn of the last century.

I wasn't surprised to find Samsung's OLED screen to be bright, vivid, and clear. It's beautiful, although in viewing some photos and videos, I found, as I have in the past, that - to my eye, at least - Samsung tends to oversaturate colors.

I don't think paper will go away. I do believe that the value of paper will change, and Xerox is working on changing that value. Consider a color page. Actual life is in color, but you keep reproducing it in black and white. You remove value. It's a bad thing to do.

Some colors are very difficult to render, and you must compensate to get the color you want on the screen.

Thank you for allowing me to use colors as rich and deep as you please. I had always wanted to do so, yet was never allowed because of the color capabilities of our lithographers. Now that I have done it, I don't think I'll ever go back.

If I see everything in gray, and in gray all the colors which I experience and which I would like to reproduce, then why should I use any other color?

The great use of copying, if it be at all useful, should seem to be in learning color; yet even coloring will never be perfectly attained by servilely copying the model before you.

In teaching color, you teach people how to look something and see the tone in it and break it down to be able to paint it and reproduce that color. But then, I'm psychedelic, so I look at color differently. I like colors that are in contrast with one another, so that they flicker back and forth.

Film is better than digital in every way. It has better contrast ratio, better blacks, and better color reproduction. It's a more organic image, which is more the way your eyes see.

The problem is, photographic dyes and printing inks aren't as good as paint, actually.

For those of you watching in black and white, Spurs are in the all-yellow strip.

I'm not interested in pleasing color; I'm interested in exact color.

What I love about IMAX is with its extraordinary resolution and color reproduction it's a very rich image with incredible detail. It lends itself wonderfully to huge shots with much in the frame. Thousands of extras and all the rest.