Collaborative Trust Quotes

When Sharan called me for 'Rambo,' we were acquainted, but had not worked together. Right from day one, though, there was an easygoing camaraderie between us, which was only amplified by his implicit trust in me and my ability to deliver for his film.

I have a tradition of working with actors, over and over again. I've worked with Jason Bateman, over and over again. You get to know an actor, and you get a certain trust and a comfort, and you become really good friends, and you feel like you've got a short-hand.

They [Mike Tyson and Todd Phillips] actually struck up a really pretty incredible chemistry, those two, and I think they really trusted each other.

Well, I don't let anyone record with me that is not a fan of mine or believe in my music. Everybody that records for me, from Bob Dylan on down to George Jones, everybody loves me and my music, and I knew they would do their best that they could do, and they did. I didn't doubt them a bit. There's some country people that I wouldn't want, which didn't record with me.

Writing a song is so personal. You have to have trust in someone you're working with; otherwise, you're not gonna come out with something that's really you.

I invest because I'm really a firm believer in letting the artist make their work, if you choose to work with an artist then you give them the go-ahead.

There's a kind of intimacy that can happen between musicians, and if they're people you enjoy and respect as humans, that intimacy is a real privilege.

You have to be able to feel like you can play way outside of the box. If you're with a great filmmaker and someone you can trust, that's encouraged, and Seth was that kind of filmmaker and co-star.

Ultimately when I throw myself behind a movie, I have to really believe in that director's vision.

That's a great feeling to know that I'm going into a project that I have no idea what will become of that movie, but I really trust Ang Lee. And I really trusted Ron. It's just really nice to work with people that you feel that way about.

I think 'The Sunset Tree' is really the album on which I really learned to trust other musicians, which is so important.

Vijay Sethupati has been a part of almost all my films. He trusts me blindly, and I feel the same trust in his abilities each time.

I think it's nice when you come into the room and the director has a plan, a vision of exactly what he or she wants the piece to be. Because when that happens, then you feel safe. You feel safe to make choices and to do something big and just fly because there's a structure around you.

When people honor each other, there is a trust established that leads to synergy, interdependence, and deep respect. Both parties make decisions and choices based on what is right, what is best, what is valued most highly.

I love the idea that you develop a relationship over time that yields new projects and more creative freedom and trust.

Like a good marriage, trust on a team is never complete; it must be maintained over time.

I think for me, I just love that trust you have with theater and your ensemble and people you are working with.

This is the fourth movie that I've done with this set of director-writers and I've learned to trust them at this point, because actually I started on Lego before they did.

A unique relationship develops among team members who enter into dialogue regularly. They develop a deep trust that cannot help but carry over to discussions. They develop a richer understanding of the uniqueness of each person's point of view.

Joe Wright called me and I also had some trepidation along those lines but he said no, it would work. He had a very clear and specific idea of what he wanted to do.