Classic Aesthetic Quotes

I love looking like classic Hollywood.

There are definitely things about 'Legendary Child' that echo the music we did earlier in our career. It's got the right stuff.

I'm timeless, I got that Dickensian, London street-urchin look in high school. I'll never be in style, but I'll always be different.

I want my shows to be very classic and timeless.

Whenever I'm making a film, it has to be timeless.

Rag & bone images always reflect the authenticity of the brand. Their images have character and tell a story.

There's a sort of eternal, indefinable 20th century quality to 'BTAS.' We never really pegged the decade, but it's anytime in the 20th century, so I often harkened back to things from the '40s or '50s.

I typically go for a more classic aesthetic, though I like to contrast that with bold statement pieces throughout my house.

Chanel is composed of only a few elements, white camellias, quilted bags and Austrian doorman's jackets, pearls, chains, shoes with black toes. I use these elements like notes to play with.

There's something really appealing about the simplicity of black-and-white images.

I have classic and feminine taste. I'm definitely drawn to vintage-inspired and ladylike things. I like an accentuated waist, and a strong shoulder works well with my figure.

It's like the mod thing is happening again.

My old vintage designs are so popular now. I must have been on to something.

Maybe the Burberry woman is undefinable! I think it's less about what she looks like and more about an attitude.

Black-and-white always looks modern, whatever that word means.

Good art doesn't really have an expiration date on it.

I usually tend to stay toward classic things.

You know what it is, the reason so many 18-year-olds, 19-year-olds are saying 'Drive' is their favorite movie is that 'Drive' is a 90-minute trip into what a lot of seventies filmmaking was. It encapsulates the best of a certain kind of style, and a style that a lot of people haven't seen before, with the music and the way it's edited.

If you ask me about my chosen colour palette for the clothes I wear myself, I'm usually one for more neutral, subtle shades.

I'm a classical type of guy. Whatever's out at that point in time, I like it. I just put my own twist on it, and we go from there.

My aesthetic is pretty classic. I like to keep things simple but appreciate the details.

The thought of making work that's easily consumed and quickly forgotten - what's the point? I want my work to be cohesive, to age and improve like old leather.

I have a certain image that's more classic, and I'm happy to stay out of the fray.