Character Uniqueness Quotes

It is open to question whether the highly individualized characters we find in Shakespeare are perhaps not detrimental to the dramatic effect. The human being disappears to the same degree as the individual emerges.

Whenever you write a character, you want to make them themselves, you want to make them unique. You don't want fifty characters in your book and they all pretty much act and think the same except they have different colored hair.

I just like playing unique characters that I love.

I love sitcoms, and I grew up on sitcoms. That's my tasty junk food. So I wanted to create a sitcom and have some really quirky characters, because most of the stuff they make now is just so marginalized. How interesting is a white guy who's 28 years old and lives in New York? What story have we not seen about a character like that? Just as a writer, it's so much easier to come up with comedy when you have a really oppressed Indian boy. Or a mother who is an addict but still has to take care of her kids.

Even one word, or certainly one sentence, should be able to describe the basic characteristic that the scene has, or the character has, or the story has. And then you begin to detail that one spine, and you have offshoots from that spine, and it becomes more and more complex, but all of it stems from that one-word, one-line theme, which can give the character, the scene, or the play its uniqueness.

Actually the copies of characters is something I don't particularly like to talk about in articles but just for your information, most characters there's only one.

I try to be really, really specific, because each character is really an individual and you have to find out what makes them unique.

I love the levels, the depth, that the character has. He is the only member of the Justice League who cannot take off his costume. He is Cyborg 24/7.

I want each character to be as unique as possible. I want them to reflect something of who they are in the way that they move and in how their bodies work. That was foremost in my head when I was writing Salvage: I wanted every gesture, every little movement, to really carry meaning and communicate meaning to the reader. I was very conscious of that when I was writing.

Dolly Ki Doli' excited me because it has unique characters. Though it is a smaller film and without a big star, it is still a mainstream film.

We do various kinds of research during the planning stage. We consider the inclusion of characters that feature in games being developed at the same time, are highly requested by users, and are popular within their series. We then think about how they could be unique if they were to appear in 'Super Smash Bros.'

I understand that people think that because there is a certain element of me that has stepped over to the dark side, but there is only one Undertaker and I can never fill that void. And there is only one Aleister Black, and I am the first one, and there will never be a second one.

I tend to play every color in the Southern rainbow, and the challenge is to make each character different so I'm not doing any generic 'Southern acting.'

How many times can you play an action character, or a quirky romantic? Every actor has to find his own way to make each character unique.

I am making my television debut with 'Dream Girl,' and hence, this role is very important for me. The uniqueness of my character prompted me to take up this show, how she cuts corners to get her work done, and she has a solution to every problem.

I may have played romantic roles, but each character has been different, with his own personality.

I like to make all my characters interesting. Be they male, female or creatures unknown.

One of the things that I've been trying to do with my characters, one of the things that does lead to me turning things down, is I don't really want to repeat myself.

I don't think of my characters as people I create, I think of them more as people I have met and whom I'm exploring on the page. I don't actually think of myself as having 'created' any of these people.

Once he became a series character, I made the conscious choice that he would never act like a series character, never wink at the reader, never pull his punches. Better for him, better for me.

I just look for characters that have dimensions. If I don't see it written on the page, then I try to put it in there somehow. You don't want to play the same role twice.

Style is a form of expression! It's what makes your character your character, to put it in laymen's term.

Even when I was a little boy, when I was seven, I absolutely loved Wonder Woman, and I saw her as one of the superhero greats with Superman and Batman, and I think it's because she was her own thing. She always felt like the real deal the same way that Superman and Batman did. Whereas the She-Hulks and Spider-Women and all that kind of thing felt like a continuation of a concept.

The problem is there are so many stories out there where I can pull that superhero out, put any other superhero in, and the story works the same. For me, that's broken. I have to write a story that no one else but Aquaman or Shazam can be in, and as soon as you pull that character out and out someone else in, it doesn't work.