Character Ownership Quotes

I do not allow fan-fiction. The characters are copyrighted. It upsets me terribly to even think about fan-fiction with my characters. I advise my readers to write your own original stories with your own characters. It is absolutely essential that you respect my wishes.

The hardest achievement in acting - in my opinion, anyway - is nailing a role that absolutely nobody else could have played. Pacino owned Michael Corleone... but DeNiro could have owned it as well. Who else, though, but Val Kilmer could have nailed Jim Morrison? Does anyone besides Will Ferrell pull off Ron Burgundy?

On one level, all of the characters in 'Game of Thrones' grow out of George R.R. Martin's imagination. Therefore they are his. As long as they are in the novels they are his. But the moment they step forth onto the TV screen, they become filtered through the showrunners. In a business sense, it's the same way with comics.

I believe in the fact that to portray a character convincingly, you need to live that character, own that character. You have to be earnest with every line that you deliver. However, it doesn't mean that you have to cut off your true self.

I've written original material before, where I've come up with the idea and the characters myself, and that's definitely very different to working with someone else's characters and stories.

I actually think it's helped me as a writer to have to act. It's only when you actually start putting yourself out that you appreciate the anxiety that comes with having to try to sell a line, or with trying to own a character.

Only I can play Modi. I say that even at the cost of sounding pompous because I really love him.

Characters don't belong to anyone, not even the person who plays them.

Oswald is an interesting character. Disney lost the rights to him in 1928 to Universal, who was distributing the cartoons and basically handed him over to Walter Lantz.

I turned down all the requests for the rights to the books, for years, mostly because they wanted the rights to the characters, and to turn it into a TV series. This would have allowed them to do anything they wanted with the characters, and that just wasn't an option for me.

Watching people like Brandon Graham, Erik Larsen, and Joe Keatinge produce stories for my characters was a revelation... Like, 'Why are you doing work for hire when others are working on characters you own?' 'Bloodstrike' and 'Brigade' is me re-focusing my focus!

In that film, the man and the part met. As far as I'm concerned, that part is Greg's for life. I've had many, many offers to turn it into musicals, into TV or stage plays, but I've always refused.

I guess, as an actor, you have to bring something personal to the character - you've got to identify and love one element of the character, or else you can't really inhabit and find ownership.

Filmmaking was the way I could write characters and not have to give them up to anybody.

There are still plenty of people who want to burn me at the stake for my Wonder Woman run. And I can't really blame them, you know? That was my take on the character, and when people are invested in the characters, they see them very clearly and in the way they like.

My friend asked me recently, "Do you find it weird that you are now the property of other people's imaginations?" I hadn't thought about that before, this passionate following, with fan fiction and artwork. At first it felt like an invasion of privacy, but then I realized it's nice that the character can be shared.

There's this whole grey area seemingly every time it's talked about animators and who takes ultimate responsibility for the characters [of the Planet of the apes] but without question and I'll go down saying this year after year, these characters are authored by what we do on set. They are not authored by animators.

There are plenty of secondary characters that I had always hoped to write, but I don't know if it will ever happen. The way contracts work, if you leave one publishing house for another, the characters tend to stay with the previous publishing house.

The advantage of being the creator of the character is I know them better than anybody, I like to think. But the reality one has to deal with in a serial collaborative medium like comics is that you're not the only one who writes the character.

I truly believe there's all the Deadpools that have existed, and there's Ryan Reynolds' Deadpool, who is now the Deadpool for the world. He owns that voice.

There is no such thing as playing someone else's character. Every actor takes a character and makes it his/her own while enacting it on screen.

I only work with actors who take full responsibility for their characters.

If you steal other people's characters, it doesn't work with the context of the scripts and what is written, so I wanted to make her my own. I was petrified, in the beginning, because it's such an iconic character, especially being a young lady myself.

If you want to do your version, go off and write it. You bring your knowledge to it, and you can use that to shape it and color it, but it's someone else's version of that character. You're not actually playing the real person.

Well you just have to own it, I suppose. Own the character, which is difficult.