Oh, Hazel is awesome," Don Said. "She's so nice! All the other campers are like 'Go away Don.' But she's like 'Please go away, Don.' I love her!
I live a very Kenneth Williams-like existence.
I am camp. Lots of gay men can't cope with their campness. They are in denial about it.
I grew up around gay people my entire life, basically, that’s possibly why I’m quite camp, and some people think I’m gay when I meet them, which I think is awesome. It’s always good to keep them guessing.
In a way, I think Roxy Music is high camp, in a brilliant way.
Of course The Beach Boys will be camp.
To camp is a mode of seduction... Behind the 'straight' public sense in which something can be taken, one has found a private zany experience of the thing.
I'm obsessed with horrible movies.
Camp taste turns its back on the good-bad axis of ordinary aesthetic judgment. Camp doesn't reverse things. It doesn't argue that the good is bad, or the bad is good. What it does is to offer for art, and life, a different - a supplementary - set of standards.
I went to this very disorganized Jewish summer camp in Maine called Camp Modin.
I think that the attraction to camp is its irreverence, it's strange, it in no way reflects reality while using real characters.
A lot of what used to be known as gay culture - broadly speaking, homoeroticism and being camp - has been brought into mainstream culture. I think we should be moving to an era where it's just sex.
There is a history of gay people pretending to be straight. I want to balance the sides. I'm a straight person pretending to be gay. I've had a lot of people to imitate. It's easy when you're British; we're camp by nature, anyway.
Irony ruined everything Even the best exploitation movies were never meant to be 'so bad they were good'. They were not made for the intelligentsia. They were made to be violent for real, or to be sexy for real. But now everybody has irony. Even horror films now are ironic. Everybody's in on the joke now. Everybody's hip. Nobody takes anything at face value anymore.
I've said before: 'If you're going to earnestly sing a song around a campfire, you'd better be a Muppet!' Or else we're just not going to buy it.
The whole point of Camp is to dethrone the serious. Camp is playful, anti-serious. More precisely, Camp involves a new, more complex relation to "the serious." One can be serious about the frivolous, frivolous about the serious.
Once kitsch is interpreted ironically, it ceases to be kitsch
I don't think that gay and lesbian relationships are identical to heterosexual relationships. I do think that heterosexual weddings, or at least most of them, are sort of camp pantomimes about male and female sex roles, even if the couple is marrying as individuals and equals.
Yeah I love 'The Witches of Eastwick,' it's a classic, it's hilarious, I did a parody play in San Francisco and New York with Peaches Christ and Coco Peru.
I have a camp fascination with all things musical theatre - I've even got the box set of 'Britannia High.'
Then I wanted the character to be feminine as opposed to effeminate. Because it's easy to be camp or queen. Anyone can do that. What's difficult is to play feminine.
I admire the Elsie Tanners and Barbara Windsors of the world: people who have crawled back from the abyss. I'm quite camp in that respect.
We loved the original 'Dynasty' - the camp and the big, surprising, soapy twists.
Camp is like this set-apart world where people go to try to change who they are, and yet change is really scary.
I was a fan of the original 'Dynasty' - the fabulous fashion, the spectacular camp, but also the characters who carried the camp into surprisingly emotional places.
