DAVID WAIN

You could be making so much money, and your bank statement gets bigger and bigger, but if you're not psyched to go to work in the morning, it doesn't matter. It sucks. So you wanna just be psyched to see the people that you work with, and have fun with. Then you've won.

Sundance is just a great place for your work to be seen. Not much more to say about it than that.

I hope I don't just do the exact same thing my whole life. I also feel like it's really hard to make comedy. It's almost impossible for comedy filmmakers and directors to stay relevant as they get older.

I was hired to do this one great script called 'Cap'n Ricky' and that project is up in the air at the moment.

One, I never get sick of talking about myself.

Wet Hot American Summer so far is a financial disappointment and money was lost on it. But perhaps it will find its audience in video, cable, etc, maybe over the course of years.

Obviously Mad TV, SNL are one kind of show, whereas The State belongs to the kind of show that is entirely conceived written and performed by a set group that existed before the TV show.

I went to this very disorganized Jewish summer camp in Maine called Camp Modin.

I am not one of those guys who pretends not to enjoy his own work.

Highland has changed my entire way of working with scripts. I use it every day.

One, I never get sick of talking about myself.

We thought we were going to go up against SNL on Saturday Nights - that would have changed things so much that it's almost impossible to speculate what might have happened.

I don't believe in paying for sex. Which is why I'll never again pay for a woman's dinner.

Sundance is just a great place for your work to be seen. Not much more to say about it than that.

Wet Hot American Summer so far is a financial disappointment and money was lost on it. But perhaps it will find its audience in video, cable, etc, maybe over the course of years.

Obviously Mad TV, SNL are one kind of show, whereas The State belongs to the kind of show that is entirely conceived written and performed by a set group that existed before the TV show.

I am not one of those guys who pretends not to enjoy his own work.

I was hired to do this one great script called 'Cap'n Ricky' and that project is up in the air at the moment.

I went to this very disorganized Jewish summer camp in Maine called Camp Modin.

Highland has changed my entire way of working with scripts. I use it every day.

I've come to the possible conclusion that being a comedic writer/director is like running track. You do it for a certain amount of time and then you have to stop. Or you at least have to accept that you're not going to be at the top of your game. And that's OK.

I hope I don't just do the exact same thing my whole life. I also feel like it's really hard to make comedy. It's almost impossible for comedy filmmakers and directors to stay relevant as they get older.

You could be making so much money, and your bank statement gets bigger and bigger, but if you're not psyched to go to work in the morning, it doesn't matter. It sucks. So you wanna just be psyched to see the people that you work with, and have fun with. Then you've won.

Everyone who went to college and especially people working in media seem to know at least one person from Shaker Heights. There's just something about that place that made people go to the coast.