There's been (if you sort of scan the magazines) announcements of different performers that has come and tried to get the British audience to go crazy, simply by them entering the stage because they had a hit record. It just doesn't happen. That happens in America.
I think the British audience might be more open-minded with some of my imagery and weird choices.
The first time I toured the U.K. was in the early '90s with Billy Pilgrim, so I know how much the people there love music.
Although I get so much fan mail from Great Britain, tell me, am I more famous there than Michael Madsen?
We owe America something because they turned us into a touring band. But at least we feel confident about appearing in Britain again now. Hyde park was the first time over here for ages.
We performed 'Road of Resistance' at O2 Academy Brixton in London for the first time in the fall of 2014. I still remember how the British audience sang this song with us although it was a world premiere. In other words, the song 'Road of Resistance' really propelled us to move forward.
But I do not want to use Hungarian verses for British people.
British audiences are toughest on British films. So often, a British film is the last thing they want to see. If you please them, you really know you've made an impact.
People in the U.K. absolutely love my character in 'Downton,' and in equal measure, people absolutely hate him, and that's all I wanted.
Dolphins games always have been among the most popular NFL telecasts in England.
I guess the British audience accepted us for being refreshing and interesting.
My parents were in Vaudeville, in musical. And I would tour with them and had a couple of wonderfully lucky breaks in England.
It was as big as a Beatles concert, I guess. Friends was unbelievably popular in Britain, and it was incredibly exciting. I had never experienced anything quite like that before in my life. I was honored to be a part of that.
I find that the British audience listens and they accept the performer for its value, value as a singer, as a vocalist, value as a performer. You're only accepted if you're good.
