The connection I have with my fans is so important, and I want to break the boundaries and break the barriers between an artist and a crowd. It is so important, and I learn so much through my fans, and they help me.
I'm big on showing people versatility. I'm constantly trying to push myself to break barriers and the idea that we have to stay in one lane.
I want to burn as a beacon of possibility. I don't want nobody to misconstrue the commercial success I've had as anything other than an example of what black music is capable of. And what it's capable of is being more than just black. I'm not black or white anymore. I'm Cee Lo Green.
Eros is an ego-overwhelming, boundary dissolving, breakthrough creating force scripted into human life that is pretty intrinsically psychedelic.
Seizing new ground, making connections between people or ideas, working without a map-these are works of art, and if you do them, you are an artist, regardless of whether you wear a smock, use a computer, or work with others all day long.
I make music for the whole world, not just one borough.
When I came up with the idea for 'Tuskegee,' I didn't want to be confined by boundaries of age, genre or demographics. I am thrilled with how well this album has been received by people from all walks of life. It is truly living up to the vision we had when we created it.
To break boundaries interests me. With all the knowledge that is available now in the world, it should be accessible to everyone. You can get so much information on the Internet now, and yet there are so many places in the world where people just don't have the education.
What is wonderful about my art is that dream and reality can become one. There is just one step between the two.
In a lot of ways Berlin is a symbol for me of Facebook's mission: bringing people together, connecting people and breaking down boundaries.
I have broken the blue boundary of color limits, come out into the white; beside me comrade-pilots swim in this infinity.
I consider myself more of an international artist than I do a one-territory artist, which I think is a blessing.
It's difficult to really assess what I've done right per say, but if I did have to point out, I'd say that I never really looked to have goals that will limit me. When one knows where he is going to or wants to end up, he/she actually doesn't realise that the goal is more limiting, than liberating.
My consciousness is without limits more than when I was 40 or 50.
Imagination is a licensed trespasser: it has no fear of dogs, but may climb over walls and peep in at windows with impunity.
When it comes to putting together a new show, we always push the envelope, and that's part of Motley Crue's legacy.
Seeing so many comments on our YouTube channel from people all over the world, even if they don't understand Japanese, made me realize that music has worldwide appeal.
My work more than didn't fit in. It crossed willy-nilly the boundaries that people had spent their lives building up. It hits some 30 subfields of biology, even geology.
The new painting has broken down every distinction between art and life.
When we were making Flickr, we called it the 'Eyes of the World.' The idea was that everybody, everywhere, is looking. It was this sense of being able to penetrate worlds that you had never been able to access before - of global, universal travel.
I think that it was really rock-and-roll stars, women who were breaking boundaries with their bodies and their voices and their beings and their music. I spent a lot of time at concerts,just watching women rock out. They expressed so much of what I believed could be possible.
I wanted to be a female like Chyna, who broke boundaries and did things that were really special.
'Shadow Souls' pushes probably every border that you can.
In my opinion, the most significant works of the twentieth century are those that rise beyond the conceptual tyranny of genre; they are, at the same time, poetry, criticism, narrative, drama, etc.
I see myself as no color. I can play the role of a man. I can paint my face white if I want to and play the role of white. I can play a green, I can be a purple. I think I have that kind of frame and that kind of attitude where I can play an animal. If you think in color, then everyone around you is going to think in color and that puts limits on the way you think. I don't think like that. A lot of the roles that I'm doing are roles that a man or a person of any color can do.
