Black Literature Quotes

Creatively, most of my influences come from the literary world: Alice Walker, Toni Cade Bambara. Writers are my heroes.

I wanted to be Langston Hughes.

Black literature is taught as sociology, as tolerance, not as a serious, rigorous art form.

Of the female black authors, I really like Morrison's early books a lot. But she's really become so much a clone of Faulkner. He did it better.

I also wanted to do something that I hadn't really seen in almost any black novels, which was a complex love story in which both people were extremely intelligent and talented and understood a lot of things and were still at odds getting it together.

Black writers, of whatever quality, who step outside the pale of what black writers are supposed to write about, or who black writers are supposed to be, are condemned to silences in black literary circles that are as total and as destructive as any imposed by racism.

I always crave to see more stories about and by people of color, particularly new work by young black writers.

When I was at Hartford in Connecticut, where I lived during the war, I published several pieces which were well received, not only by those of my own colour, but by a number of the white people, who thought they might do good among their servants.

When I started, I was aware of using the black as a rhetorical device. It's understanding that black people come in a wide range of colors, but you find instances in a lot of black literature in which the blackness is used as a metaphor. In some places, you can find an extreme blackness used as a descriptive.

I really do hope 'The Hate U Give' provides mirrors for readers who don't often get them in books. I've had so many young black girls tell me just how thrilled they are to see someone who looks like them on the cover. I hope that they see themselves in the pages as well.

My dream role is to portray someone like James Baldwin. I've always been a fan of his writing, and I feel like he's one of our unsung heroes. He's been pretty much forgotten, and I think he needs to be recognized. He had to go all the way to Europe to find recognition and acceptance, and I'd just like to bring him to the forefront.

It was a big thing for me to read black writers. 'Fences,' by August Wilson. James Baldwin's 'Amen Corner.' 'The Fire Next Time.' 'The Autobiography of Malcolm X,' of course.

In 1967, the students at San Francisco State invited the poet Amiri Baraka to the campus for a semester. He attracted other influential black writers such as Sonia Sanchez, Ed Bullins, Eldridge Cleaver. What emerged was something we called the community communications program. That's how I got involved; I got involved in a little play.

I already optioned a book called The Personal History of Rachel DuPree. I also like The Book of Negroes by Lawrence Hill. And I love all of Octavia Butler's books. She's created some very complicated black heroines with a variety of belief systems. There are many great books out there, but those are a few of the ones that stand out.

The first black girl book I fell in love with was most likely 'Please, Puppy, Please' by Spike Lee and Tonya Lee.

It was the desire to see black girls and our experiences in the books that I was given to read at school that forced me to speak my truth. I launched #1000BlackGirlBooks, a book drive to collect the stories of women of color.

I found literary idols in Adrienne Kennedy, Nella Larsen, and Ntozake Shange, writers who'd dared to locate a sanctioned, forbidden space between white vulnerability and black invincibility.

I think that the first book that made me think that I could try to be a writer - or that made me aware that a young black woman from the South could write about the South - was Alice Walker's 'The Color Purple,' which I read for the first time when I was in junior high.

I read every one of the books on the shelf marked American Negro Literature. I became a nationalist, a colour nationalist, through the writings of men and women who lived a world away from me.

I majored in directing. However, I did spend some time at the Schomburg Center for Research in Black Culture in Harlem, so I am somewhat well-versed in African Studies.

My biggest luck was the Terry McMillan era, because what happened after the phenomenon of 'Waiting to Exhale' is that publishing woke up. They said, 'Wow. Black people do read.'

Baldwin gave expression to the longings of blacks in exalted prose. He was embraced, in the tradition of Negro Firsterism, even by those who never sat down with a book, as our preeminent literary spokesman, whether he liked it or not. Neither athlete nor entertainer, but nevertheless a star.