African American Writers Quotes

My two favorite movies are 'Coming to America' and 'Boomerang'.

Amiri Baraka went to Howard. Lucille Clifton went to Howard. Ossie Davis went to Howard. And I was aware of that when I was there. Charles Drew went to Howard. Thurgood Marshall went to the law school. Being aware of that and having all of that brought to bear, again, it's one of those things that I can't really separate from my career as a writer.

Typically, there's this perspective among writers - and black writers: there's this idea that there is one person - and maybe beyond writers - among blacks, there is always one person who everyone should go to learn about all things black.

Of the female black authors, I really like Morrison's early books a lot. But she's really become so much a clone of Faulkner. He did it better.

The name James Baldwin had been around the house for as long as I could remember and meant almost as much as that of Martin Luther King.

I'm one of the few Black writers, or African American writers, who managed to work my way through the system so that it has allowed me to speak in a kind of free way. But most African American writers don't have that. They don't have that opportunity, they don't have that.

Anytime an African-American writes an unconventional novel, the writer gets compared to Ellison. But that's O.K. I am working in the African-American literary tradition. That's my aim and what I see as my mission.

Manhattan was the capital of the twentieth century for black writers, artists, and intellectuals as much as it was for their white counterparts.

I've been interested in LeRoi Jones/Amiri Baraka's work for quite a while. My first introduction to LeRoi Jones was when my mother used to read me the 'Dead Lecturer' poems when I was a kid.

I read every one of the books on the shelf marked American Negro Literature. I became a nationalist, a colour nationalist, through the writings of men and women who lived a world away from me.

Jean Toomer is a phantom of the Harlem Renaissance. Pick up any general study of the literature written by Afro-Americans, and there is the name of Jean Toomer. In biographies and memoirs of Harlem Renaissance figures, his name is invoked as if he had been one of the sights along Lenox Avenue.

We had two African American writers [Eric Monte and Michael Evans] on the show ['Good Times'] that knew Cabrini Green inside and out, and that's why we set it there.

Baldwin gave expression to the longings of blacks in exalted prose. He was embraced, in the tradition of Negro Firsterism, even by those who never sat down with a book, as our preeminent literary spokesman, whether he liked it or not. Neither athlete nor entertainer, but nevertheless a star.