I think indie films are really important, because they show the studios and the audiences when they see them, great stories. Really interesting, small stories.
Film is pop art. It's not whether it's auteur cinema or not; that's a false distinction. Cinema is cinema.
Actually I don't watch a lot of films but when I do, I like experimental, avant garde, European and world cinema. That is the language of cinema I am drawn towards. I don't watch much Hollywood or Bollywood.
It has to be 'The Piano' by Jane Campion. It inspired me to pursue my dream to direct. It is not just my favorite woman-directed film - it is my favorite film.
I guess, in a sense, 'Audition' was a film that gave me an opportunity that I hadn't had up until that point. So that's definitely one that is important to me. Then there's 'Visitor Q' that kind of taught me that there are some kinds of films that can only be made as low-budget films that really wouldn't work as anything else.
It's hard to get a film, you know, you need a very special film to be able to get that experimental. But, I would love to see that happen. I would love the opportunity to be more experimental than I am.
I want to do commercial films as well as off-beat movies.
The films that I really liked and the ones that really blew my mind when I was younger were independent films. They're like great records to me.
Ultimately, the film industry has always pushed out its biggies, and I don't have a problem with that. I just wish that we'd spend more time nurturing the smaller ones.
I'm not an especially highbrow person, but I have always loved small, quirky, edgy movies.
I'm sure 'Boxing Helena' will eclipse 'Twin Peaks' and Audrey Home for me. If people here go see it.
Cinematically, anything like 'Khawto' in Bengali cinema hasn't happened. Yes, you get such films in Hollywood, a few in Bombay. In Bengali literature, you get such stories in the works of Samaresh Basu and Buddhadeb Guha.
What's so great about Sundance is that they only accept such a small handful of films per year for dramatic competition, so you know when you're going to Sundance that you're going to see top-quality projects.
I would tend to be drawn to independent cinema as a viewer, probably more than the big blockbuster.
I like boring black and white films with subtitles. I'm basically a drip.
Hollywood... that's not going to be my niche at all. If anyone is going wants to work with me, I would think it's going to be independent films. I'm not 22!
Primarily, a festival is a platform to sell films that are not meant for the mainstream audience. Cultural exchange is also important aspect of a film festival.
I'm not going to head off and do a Marvel film. So if I don't do a Marvel film, I don't have any other choice - I've got to go make a small New Zealand movie!
I would love to do anything from a really gritty, interesting, indie type film, to that commercial, bigger stuff.
The five directors in '5 Sundarikal' experimented, and it was a very personal exercise. Amal, Anwar, Aashiq, and Sameer have done things that they have never done before. Debutant Shyju has also made a beautiful film.
Korean films have always been distributed to international audiences as arthouse films.
I want to do one or two commercial films, but also want to do off-beat movies.
I like serious films, the moneymaking blockbusters that don't make any kind of sense and John Carpenter films.
Basically, I have always wanted to have an art-house cinema. A cinema where we can show films that are not necessarily the current offerings on circuit and films that are not commercial.
On the one hand, we had great filmic spectacles that brought in big audiences, adults as well as primary and secondary school students. On the other hand, there were attempts to create contemporary Polish film.
