Audience Relationship Quotes

With a feature film you're dealing with so much more money and you've got to be very aware of the fact that you're really working with an audience. You've got to have a relationship with the audience. Play with them and show them things you want them to see.

I've never really broken this down before, but, in movies, you almost have no connection to fans. And if you do TV, you're kind of connected, but they know you as the TV name not your real name. If you do radio, there's more of a bond there. And then if you do a podcast it's like you're literally inside of your fans.

To me, the ideal artist-to-audience relationship is a one-to-zero relationship. The artist should be granted anonymity.

Different authors write different ways, have different relationships with their audiences, and those are all legitimate.

A long-running show leaves behind a legacy of storytellers and their relationship with the audience.

I think Sting would be denying his fans a great moment if Sting did not step into WWE competition at least once. I have always been a huge admirer of what Sting brings to the table and his relationship with his audience, and I would be dramatically disappointed if Sting does not wrestle a WWE match.

I wanted to branch out into American television, specifically because you get to develop a character for a longer period of time and you get to develop a relationship with the audience.

Over the years, I've been trying to build a relationship with an audience. I've tried to maintain as much of a low profile as I could so that those characters would emerge and their relationship with audiences would be protected.

I also think the relationship I have with my audience is a lot more complex than what Hitchcock seemed to want his to be - although I think he had more going on under the surface as well.

I love live theater; I like the relationship between the show and the audience. That's my comfort zone, but more than anything, it's what makes me happy.

Royalties are not how most writers or musicians make their living. Musicians by and large make a living with a relationship with an audience that is economically harnessed through performance and ticket sales.

I feel like what's important is to interact with your fans online. Touring is really important to stay connected with your fans.

The audience is not your boss. They are your collaborators and when you collaborate with someone you don't have to listen to everything they think or say.

Working in TV, we're in people's living rooms, and everyone has a different relationship to it than with movies. You're there every week; they feel like they know you. They call you by name, and it trips you up.

The relationship between the media owner, their relationship isn't strictly with people and audiences. It's also with advertisers, and that's the most relationship in radio; in fact it pays the bills.

'Sleepy Hollow' was really the first thing I'd done that gave me the opportunity in the modern age to build an authentic relationship with an audience that was a lot more like what happens in theater.

I valued the experience of making the recordings, and I value the performances contained therein, and I value so much of what they can represent. I also think they're a terrific listening experience. Putting them out this way was a way of trying to maintain and nurture the relationship with the audience and also shine a light on the recent past, because we are so apt to be forgetful as human beings that there was such a thing as a recent past. These are some of the reasons for making this record.

You just have to keep in mind that the important relationship is the relationship with the audience. That's what I try to do. Everything else is secondary.