Art Collaboration Quotes

I did a short film with Donald Glover for one of his Childish Gambino projects, and Flying Lotus was an actor in it.

Sound as medium has an incredible elasticity. So, of course, it is tempting for artists of other fields to try something with sounds. Why not? We are living in the age when there is no limit in gathering all forms of art and music to mix it together if you so desire.

I actually like the collaboration of working with different artists.

I just love getting as many experiences making music for and with people as possible.

We feel really lucky at Disney to work with a great stable of artists.

A lot of artists are involved with fabrication. Artists today are making more objects and many of them need the participation of a dealer in order to facilitate and provide support for projects. So that has changed. But I don't know if what it means to be an artist has really changed. I hope that it hasn't.

In prose, you have a lot more room for digression, for very meaty kinds of dialogues. In graphic novels, you're writing haiku-length dialogue. Your job is to be efficient, to get out of the way of the art.

I enjoy being involved in making the artwork for albums and stupid stuff like that.

I had a vision of bringing two cultures together, and I have said this in the past: my goal is to bring Morocco and India together through music and art.

For the first project I did in North America, I was asked as an artist, not as an architect, to collaborate on a big development in the heart of Toronto. I was working with other artists and was in charge of giving form to a street, and I proposed a galleria.

As an artist, I've always wanted to participate in the dialogue of art with other artists.

I'm not thinking about the next record really yet. I kind of want to do a bunch of stuff with Jonathan Zawada, the guy who did the album art. I'd like to do some crazy art installations and design some weird synthesizers and work with other people and make some fun stuff for a bit. Maybe tap into virtual reality stuff or maybe write another record.

They paint me as a villain, I just autograph the artwork.

Film is a collaborative medium, and I very much enjoy that.

I choose to go to the Moon with artists. In 2023, as the host, I would like to invite 6 to 8 artists from around the world to join me on this mission to the Moon.

If we imagine that the only right that we have is to make commodifiable objects, then we limit our practice, and we limit the great potential for an understanding between collectors, curators and galleries.

So I'm happiest when I'm working with artists and writers, and involved in stories, whether we're talking about animation or movies or comics or television.

As an artist I have an even more abiding interest in the compact between the Arts and Government.

I feel strong in my belief, based on my widely traveled collaborations, that a one-to-one contact through art contains potent peaceful powers, and is the most non-elitist way to share information, hopefully seducing us into creating mutual understandings for the benefit of all.

I would love to compose something for dance before I kick the bucket, and I'm not closed-minded about the dance, or the dance company. I would really just love to collaborate on that.

I think the relationship is very tenuous between fashion and art. Many designers have built relationships with artists, which is not something I personally did. But it's true, sometimes you see artists working for a designer or a brand on some specific project or taking care of their environment and making an amazing store.

Me and Mr. Brainwash in Toronto signing his mural at Hard Candy Fitness Opening! #artforfreedom

When I started working at Pictures On Walls, I'd been hanging out with Banksy for a few years travelling around the world together painting stuff, and then we moved into a new office and wanted to do screenprinting.

I'm truly excited to align with Art.co.uk and share with the world the wondrous sites and travels I've experienced.

As I had collaborated with visual artists before whether on installations, on performance pieces, in the context of theatre works and as I had taught for a time in art colleges the idea of writing music in response to painting was not alien.