It is for all these buildings, therefore, of all times and styles, that we plead, and call upon those who have to deal with them to put Protection in the place of Restoration, to stave off decay by daily care, to prop a perilous wall or mend a leaky roof by such means as are obviously meant for support or covering, and show no pretence of other art, and otherwise to resist all tampering with either the fabric or ornament of the building as it stands; if it has become inconvenient for its present use, to raise another building rather than alter or enlarge the old one; in fine to treat our ancient buildings as monuments of a bygone art, created by bygone manners, that modern art cannot meddle with without destroying.
This is one of the first organized efforts for the historical preservation of old buildings.
One of the brilliant things about Britain is the way you've managed to save old things but to keep using them - that they've not just become museums the way they do in the United States.
Most Americans haven't had my happy experience of living for thirteen years in a seventeenth-century house, since most of America lacks seventeenth-century houses.
New ideas often need old buildings.
In the '60s when I was a student, there was this campaign to destroy 75 percent of the old buildings in Paris, replacing them with modern architecture. I realized this as a dangerous utopia. This modern vision did not understand the richness of the city. Thankfully, such destruction did not happen.
Yankee Stadium, it's like everything else in this country. In Europe, they save all their old buildings for history. Here, we just tear them all down.
You see all these old buildings [in Rio] going down or catching fire overnight, and it is so sad. I am very connected with these buildings because they are our history. It is the only one that we have.
I look forward to an America which will not be afraid of grace and beauty, which will protect the beauty of our natural environment, which will preserve the great old American houses and squares and parks of our national past and which will build handsome and balanced cities for our future.
Don't clap too hard - it's a very old building.
This is Preservation Month. I appreciate preservation. It's what you do when you run for president. You gotta preserve.
Our roots are clinging, we shouldn't knock down so many old 'buildings.'
I saw something in a program on something in Miami, and they were saying, "We've redecorated this building to how it looked over 50 years ago!" And people were going, "No, surely not, no. No one was alive then."
A small number of temples was protected by the fears, the venality, the taste, or the prudence of the civil and ecclesiastical governors. The temple of the Celestial Venus at Carthage, whose sacred precincts formed a circumference of two miles, was judiciously converted into a Christian church; and a similar consecration has preserved inviolate the majestic dome of the Pantheon at Rome.
The most enjoyable things are the old eighteenth-century terraces that are still standing, that domestic architecture.
Recycling old buildings to show art is very important.
I've often wondered if the trade-off for growing up in the relative newness and freshness of the West Coast was befuddlement when it comes to historical preservation. We don't have many old things, and we don't really know what to do with the few that are around when our default response is to compost or field burn.
I spent more than ten years working on the Neues Museum. It was a wonderful experience, an example of real collaboration between architects, conservationists, curators, client, politicians, the media, and the public. Discussions, even when difficult, were always about ideas. Ideas matter to Germans. They're a reflective people. That's attractive.
I love antique architecture, so if I have any indulgences, I have owned and renovated and reconstructed a lot of old houses.
The trouble with European cities is that they are drenched in their history, almost all of which is terrible.